"From Ancient Grudge" by Abel Korzeniowski had its release date on January 1, 2013. With This song being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Romeo & Juliet (Original Motion Picture Soundtrack)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Based on our statistics, From Ancient Grudge's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With From Ancient Grudge by Abel Korzeniowski having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Basilwether Hall | Daniel Pemberton | C Minor | 2 | 5A | 144 BPM | ||
| Edith's Theme | Fernando Velázquez | G Minor | 1 | 6A | 81 BPM | ||
| Mathilda | Sharon Farber | D Minor | 2 | 7A | 81 BPM | ||
| Apology Tango | Adam Balazs | C Major | 0 | 8B | 99 BPM | ||
| The Loss of Yours | Adrian Johnston | D Minor | 1 | 7A | 86 BPM | ||
| Return of the Lion - Score | Harry Gregson-Williams | B Major | 6 | 1B | 80 BPM | ||
| Next To My Diary | Ria Mbanefo | B♭ Major | 3 | 6B | 85 BPM | ||
| The Grand Bakery | Guy Farley | A Minor | 3 | 8A | 172 BPM | ||
| The Wolf in the Woods | Taylor Ash | A♭ Major | 4 | 4B | 133 BPM | ||
| Fighting in the Market | Rob Lane | G Major | 8 | 9B | 183 BPM | ||
| A Game of Cricket (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Gabrielle Lester, Marcia Crayford | D Major | 2 | 10B | 151 BPM | ||
| Lex Talionis | Federico Jusid, Orquesta Sinfónica de Budapest Eastconnection | G Minor | 2 | 6A | 94 BPM | ||
| An Odd Discovery Beyond The Trees | James Horner | G Major | 0 | 9B | 175 BPM | ||
| No More Running | Rob Simonsen | E♭ Major | 1 | 5B | 130 BPM | ||
| The Sluice Gate | Peter Gregson | A♭ Major | 3 | 4B | 80 BPM | ||
| Forbidden Love | Abel Korzeniowski | B Minor | 3 | 10A | 129 BPM | ||
| Nas Ruas de Lisboa | Cesar Benito | E Minor | 3 | 9A | 186 BPM | ||
| To The Edge Of The Earth | Michael Nyman | A Minor | 2 | 8A | 100 BPM | ||
| Fall from Grace (With Choir) | Kerry Muzzey | B Minor | 2 | 10A | 166 BPM | ||
| Sonmi's Discovery | Tom Tykwer, Johnny Klimek, Reinhold Heil, MDR Rundfunkchor, MDR Leipzig Radio Symphony Orchestra, Kristjan Järvi | G Minor | 0 | 6A | 84 BPM | ||
| Landing of the French | Marc Streitenfeld | A Minor | 5 | 8A | 185 BPM | ||
| Scarlet Fury | Immediate | E♭ Minor | 5 | 2A | 125 BPM | ||
| Cambridge, 1963 | Jóhann Jóhannsson | B♭ Major | 1 | 6B | 83 BPM | ||
| Lady Gresham's Ball: The Hole in the Wall - Bonus Track | Adrian Johnston, Original Soundtrack, Paul Englishby | B♭ Major | 1 | 6B | 66 BPM | ||
| The Dressmaker Closing Credits | David Hirschfelder | D Minor | 1 | 7A | 74 BPM |