South American Suite by Johann Sebastian Bach, Milan Rericha, Philharmonic Wind Orchestra, Marc Reift Song Details

Johann Sebastian Bach, Milan Rericha, Philharmonic Wind Orchestra, Marc Reift's 'South American Suite' had a release date set for January 14, 2013. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 13 out of 13 in Blue Clarinet by Milan Rericha, Philharmonic Wind Orchestra, Marc Reift. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Based on our statistics, South American Suite's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

The tempo marking of South American Suite by Johann Sebastian Bach, Milan Rericha, Philharmonic Wind Orchestra, Marc Reift is Allegro (fast, quick, and bright), since this song has a tempo of 153 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.

Music Key

This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -10.109 dB
Acousticness: 99%
Danceability: 41%
Energy: 23%
Instrumentalness: 89%
Liveness: 32%
Loudness: 83%
Speechiness: 4%
Valence: 30%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio	Johann Sebastian Bach, Academy of Ancient Music, Richard Egarr	C Minor	1	5A	83 BPM
4 Impromptus, D. 899 (Op. 90): No. 3 in G-Flat Major. Andante	Franz Schubert, Krystian Zimerman	F♯ Major	0	2B	61 BPM
Cello Concerto No. 1 in C Major, Hob. VIIb:1: I. Moderato	Joseph Haydn, Yo-Yo Ma, English Chamber Orchestra, José-Luis Garcia	C Major	1	8B	138 BPM
Concerto No. 1 In F Major BWV1046 - Allegro	Jordi Savall, Johann Sebastian Bach	B♭ Major	4	6B	129 BPM
Concerto Grosso In G Minor, Op. 3, No. 2, RV 578: I. Adagio E Spiccato - Allegro	Antonio Vivaldi, Capella Istropolitana	D Minor	3	7A	126 BPM
Oboe Concerto in D Minor, S. Z799: III. Presto	Alessandro Marcello, Marcel Ponseele, Il Gardellino	D♭ Minor	3	12A	70 BPM
Cello Sonata in E Minor, RV 40: III. Largo	Antonio Vivaldi, Jean-Guihen Queyras, Michael Behringer, Christoph Dangel	F♯ Major	0	2B	138 BPM
II. Adagio cantabile from Piano Sonata No. 8 in C minor, Op. 13 "Pathetique" - Instrumental	Ludwig van Beethoven, Murray Perahia	A♭ Major	0	4B	62 BPM
Sechs Klavierstücke, Op. 118: II. Intermezzo in A Major	Johannes Brahms, Arcadi Volodos	A Major	0	11B	69 BPM
Concerto for Oboe and Violin in C Minor, BWV 1060	Lara St. John, Johann Sebastian Bach, Ariana Ghez, Eduardo Maturet, Simón Bolívar Youth Orchestra of Venezuela	C Minor	2	5A	177 BPM
Ständchen in D Minor (After Schubert), S. 560	Franz Liszt, Lise de la Salle	D Major	0	10B	76 BPM
Trio Sonata for 2 Violins and Continuo in G Minor, HWV 393 "Dresden" No. 2: III. Largo (Arr. for Oboe, Violin, Harpsichord and Orchestra by Andreas Tarkmann)	George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska	B♭ Major	2	6B	143 BPM
Sonata in D Minor, Kk. 1 (Allegro)	Domenico Scarlatti, Pieter-Jan Belder	A♭ Minor	2	1A	73 BPM
Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: II. Allegro	Georg Philipp Telemann, Boris Begelman	F♯ Major	4	2B	116 BPM
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco moto - Live	Ludwig van Beethoven, Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein	B Major	0	1B	85 BPM
Nocturnes, Op. 9: No. 1 in B Flat Minor. Larghetto	Frédéric Chopin, Jan Lisiecki	B♭ Minor	0	3A	72 BPM
Kol Nidrei, Op. 47	Max Bruch, Jan Vogler, Helmut Branny	D Major	1	10B	136 BPM
Wachet auf, ruft uns die Stimme BWV 140: Chorale: Wachet auf, ruft uns die Stimme	Johann Sebastian Bach, Ton Koopman, The Amsterdam Baroque Orchestra & Chior, Sandrine Piau, Johannette Zomer, Caroline Stam	A♭ Major	1	4B	172 BPM
Vaughan Williams: 6 Studies in English Folk-Song: No. 1, Adagio	David Parkhouse, Eileen Croxford	A Minor	1	8A	92 BPM
Fantasia And Fugue In A Minor, BWV 904 : Fugue	Janos Sebestyen, Johann Sebastian Bach	A Minor	3	8A	132 BPM
Concerto a cinque No. 2, Op. 9: II. Adagio	Tomaso Albinoni, Paul Dombrecht, Il Fondamento	A Major	1	11B	45 BPM
4 Impromptus, Op. 90, D. 899: No. 3 in G-flat major	Franz Schubert, Khatia Buniatishvili	F♯ Major	0	2B	69 BPM
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso	Ludwig van Beethoven, Glenn Gould, Leopold Stokowski, American Symphony Orchestra	B Major	0	1B	61 BPM
Keyboard Suite No. 2 (Set I) in F Major, Hwv 427: I. Adagio	George Frideric Handel, Philip Edward Fisher	D Minor	0	7A	72 BPM
Come, Sweet Death, BWV 478 (Arr. for 5 Cellos)	Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi	C Major	0	8B	122 BPM