- BPM
- 83
- Key
- F Major
- Camelot
- 7B
Je Cede a Vos Desirs...D'une Image Helas! (from Iphigenie en Tauride) by Valerie Masterson Song Details
"Je Cede a Vos Desirs...D'une Image Helas! (from Iphigenie en Tauride)" by Valerie Masterson had its release date on January 1, 1999. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 14 in French Opera Arias (En Francais Airs D'Opera) by Masterson. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Je Cede a Vos Desirs...D'une Image Helas! (from Iphigenie en Tauride) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Je Cede a Vos Desirs...D'une Image Helas! (from Iphigenie en Tauride) by Valerie Masterson is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Music Key
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -22.724 dB
- Acousticness
- 98%
- Danceability
- 21%
- Energy
- 6%
- Instrumentalness
- 0%
- Liveness
- 17%
- Loudness
- 62%
- Speechiness
- 5%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The Rhinegold, WWV 86A, Scene 1: Still not afraid? - Orchestral Interlude (Alberich, Flosshilde, Wellgunde, Woglinde) | Richard Wagner, Reginald Goodall, English National Opera Orchestra, Derek Hammond-Stroud, Helen Attfield, Shelagh Squires, Valerie Masterson | A Minor | 0 | 8A | 82 BPM | |
 | Falstaff / Act 3: Tutto nel mondo è burla | Giuseppe Verdi, Geraint Evans, Giulietta Simionato, Ilva Ligabue, Robert Merrill, Mirella Freni, Alfredo Kraus, Rosalind Elias, John Lanigan, Piero de Palma, RCA Italiana Opera Chorus, RCA Italiana Opera Orchestra, Sir Georg Solti | C Major | 5 | 8B | 67 BPM | |
 | Puccini : Tosca : Act 2 "Vissi d'arte" [Tosca] | Giacomo Puccini, Zubin Mehta, Orchestra Sinfonica | E Major | 1 | 12B | 106 BPM | |
 | The Mikado: There Is the Beauty In the Bellow of the Blast | Eric Idle | E♭ Major | 2 | 5B | 109 BPM | |
 | Peter Grimes, Op. 33 / Prologue: "You Sailed Your Boat" | Benjamin Britten, Owen Brannigan, Sir Peter Pears, Lauris Elms, David Kelly, Claire Watson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden | B♭ Major | 1 | 6B | 94 BPM | |
 | Zwei Scenen für Singstimme und Orchester, Op. 199: No. 2, Die Hirtin | Joachim Raff, Therese Schleiden, Lena-Lisa Wüstendörfer, Marie-Claude Chappuis, Swiss Orchestra | E♭ Major | 0 | 5B | 66 BPM | |
| Peter Grimes, Op. 33 / Prologue: "Peter Grimes!" | Benjamin Britten, David Kelly, Owen Brannigan, Sir Peter Pears, Orchestra of the Royal Opera House, Covent Garden | G Major | 1 | 9B | 104 BPM | |
 | Show Boat, Act Two Scene Six: Let's make the new year far from a blue year | Jerome Kern, John McGlinn/London Sinfonietta/Ambrosian Chorus/Frederica von Stade/Jerry Hadley/Teresa Stratas/Bruce Hubbard/Karla Burns/David Garrison/Paige O'Hara/Robert Nichols/Nancy Kulp/Lillian Gish, John McGlinn, London Sinfonietta | G Major | 4 | 9B | 132 BPM | |
 | H.M.S. Pinafore, Act I: Sorry Her Lot | Gilbert & Sullivan Society of Houston | F Major | 1 | 7B | 173 BPM | |
 | Twilight of the Gods, WWV 86D, Act III Scene 1: A goblin led me astray (Siegfried, Woglinde, Wellgunde, Flosshilde) | Richard Wagner, Reginald Goodall, English National Opera Orchestra, Valerie Masterson, Shelagh Squires, Helen Attfield | E♭ Major | 0 | 5B | 66 BPM | |
 | Elisabetta, Regina d'Inghilterra / Act 2: "Pensa che sol per poco" | Gioachino Rossini, Montserrat Caballé, Valerie Masterson, London Symphony Orchestra, Gianfranco Masini | F Major | 1 | 7B | 127 BPM | |
 | Le veau d'or - from Faust | Charles Gounod, Erwin Schrott, Daniele Rustioni | C Minor | 5 | 5A | 121 BPM | |
 | Bizet: Carmen, WD 31, Act 3, Scene 1: "Je dis que rien ne m'épouvante" (Micaëla) | Georges Bizet, Giuseppe Sinopoli, Angela Gheorghiu, Bavarian State Orchestra | F Major | 1 | 7B | 190 BPM | |
 | L'elisir d'amore / Act 1: "Benedette queste carte!" - "Della crudele Isotta" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E Major | 1 | 12B | 75 BPM | |
 | 19. Oh, dry the glist'ning tear | Arthur Sullivan, Royal Philharmonic Orchestra, Isidore Godfrey, Valerie Masterson, The D'Oyly Carte Opera Chorus | B♭ Major | 1 | 6B | 91 BPM | |
 | I Puritani / Act 1: Ah! per sempre io ti perdei | Vincenzo Bellini, Piero Cappuccilli, Renato Cazzaniga, London Symphony Orchestra, Richard Bonynge | G Major | 2 | 9B | 74 BPM | |
 | Carmen, Act III, No.20 Trio: En vain pour éviter (Carmen) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | D♭ Major | 1 | 3B | 83 BPM | |
 | Till There Was You (from the Music Man) | Thomas Allen, Valerie Masterson | C Minor | 1 | 5A | 85 BPM | |
 | Candide, Act I: No. 7, Candide's Lament | Leonard Bernstein, Jerry Hadley, London Symphony Orchestra | F Major | 0 | 7B | 85 BPM | |
 | Die Fledermaus / Act 2: Nr.10 Csárdás: "Klänge der Heimat" | Johann Strauss II, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | D Major | 1 | 10B | 69 BPM | |
 | The Mikado / Act 2: 30. The flowers that bloom in the spring, tra-la | Arthur Sullivan, Valerie Masterson, Peggy Ann Jones, Colin Wright, John Reed, Kenneth Sandford, Royal Philharmonic Orchestra, Royston Nash | A Major | 1 | 11B | 174 BPM | |
 | When Federic Was a Little Lad | The Pirates Of Penzance | F Minor | 3 | 4A | 110 BPM | |
| Elisabetta, Regina d'Inghilterra / Act 2: "Tu, regina!... deh! come" | Gioachino Rossini, Montserrat Caballé, José Carreras, Valerie Masterson, Rosanne Creffield, Ugo Benelli, Neil Jenkins, London Symphony Orchestra, Gianfranco Masini | A Major | 1 | 11B | 83 BPM | |
 | Les Contes d'Hoffmann / Prologue: "Va pour Kleinzach...Il était une fois à la cour" | Jacques Offenbach, Plácido Domingo, Pedro Di Proenza, Choeur de la Radio Suisse Romande, Pro Arte Choir, Lausanne, Choeur Du Brassus, Orchestre de la Suisse Romande, Richard Bonynge | A Minor | 3 | 8A | 97 BPM | |
 | Carmen / Act 2: Non, tu ne m'aimes pas! | Georges Bizet, Agnes Baltsa, José Carreras, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 178 BPM |
- ISRC
- GBDGA0602944
- Label
- L-M Records/RCA Records