Attrition's 'Theme 1' had a release date set for January 3, 1988. With This song being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 19 in At the Fiftieth Gate (Remastered) by Attrition. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Theme 1 is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Theme 1 by Attrition is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Alibi - Spank the Nun Remix | Attrition | A♭ Major | 4 | 4B | 70 BPM | ||
| Voltaic Control System | Die Form | C Major | 10 | 8B | 146 BPM | ||
| Morals Are for Sissies | Cat Rapes Dog | C Major | 9 | 8B | 138 BPM | ||
| Incubus | The Electric Hellfire Club | F♯ Major | 5 | 2B | 145 BPM | ||
| Divided We Fall | Autodafeh | G Major | 10 | 9B | 110 BPM | ||
| Grim Reality - Remastered | Mentallo & The Fixer | E Minor | 9 | 9A | 180 BPM | ||
| Demi God - Remix | Attrition | B Major | 7 | 1B | 95 BPM | ||
| Flying Through Time | Ryan Moore | A Minor | 7 | 8A | 124 BPM | ||
| Monsters | Switchblade Symphony | D♭ Minor | 4 | 12A | 136 BPM | ||
| Dreamsleep | Julia Niblock, Martin Bowes, Attrition, Henry Purcell | C Major | 3 | 8B | 80 BPM | ||
| The More It Changes | The Legendary Pink Dots | D♭ Major | 3 | 3B | 122 BPM | ||
| Totes Fleisch | Terminal Choice | D♭ Major | 7 | 3B | 129 BPM | ||
| Leave Me Be (Mildreda Mix) | Dive, Mildreda | F Major | 8 | 7B | 95 BPM | ||
| Mother Tenebrarum | Decoded Feedback | B Major | 6 | 1B | 0 BPM | ||
| Corroded Decay | Noise Unit | D♭ Major | 10 | 3B | 131 BPM | ||
| Perfect Circles | The Invincible Spirit | E♭ Major | 10 | 5B | 188 BPM | ||
| Baby Needs Crack | Vomito Negro | F♯ Major | 9 | 2B | 120 BPM | ||
| Love's Secret Domain | Coil | E Minor | 8 | 9A | 100 BPM | ||
| Refuse | Android Lust | G Major | 9 | 9B | 110 BPM | ||
| Liar | Pete Jones | C Major | 10 | 8B | 101 BPM | ||
| Hellfire! | The Electric Hellfire Club | F Minor | 9 | 4A | 145 BPM | ||
| Let's Drop Bombs | Haujobb | E Minor | 8 | 9A | 127 BPM | ||
| To the Core | Spetsnaz | D♭ Major | 9 | 3B | 130 BPM | ||
| Die in Winter | :Wumpscut: | D♭ Major | 7 | 3B | 100 BPM | ||
| Mother Green | Autodafeh | D♭ Major | 7 | 3B | 126 BPM |