Amusement Palatin: La Clausen by Esprit Philippe Chédeville, Françoise Bois-Poteur, Mario Raskin, André Gabriel Song Details

On May 15, 1988, the song "Amusement Palatin: La Clausen" was released by Esprit Philippe Chédeville, Françoise Bois-Poteur, Mario Raskin, André Gabriel. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Françoise Bois-Poteur, Mario Raskin, André Gabriel's "La vielle à roue baroque" album is number 21 out of 29. On top of that, France appears to be the country where this track was created. Amusement Palatin: La Clausen is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.

BPM and Tempo

We consider the tempo marking of Amusement Palatin: La Clausen by Esprit Philippe Chédeville, Françoise Bois-Poteur, Mario Raskin, André Gabriel to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Music Key

F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -12.926 dB
Acousticness: 96%
Danceability: 26%
Energy: 69%
Instrumentalness: 88%
Liveness: 13%
Loudness: 78%
Speechiness: 4%
Valence: 97%

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