"ジャイアンツ" by シネマサウンズ・オーケストラ had its release date on April 6, 2011. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. ジャイアンツ's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 映画音楽夢コレクション GLORY ~ジャイアンツ~, so we believe that "ジャイアンツ" is a single. ジャイアンツ is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of ジャイアンツ by シネマサウンズ・オーケストラ is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 雪が降る | シャルル・ジョルダン・グランド・オーケストラ | A Minor | 3 | 8A | 95 BPM | ||
| 第三の男 | アントン・カラス | E Minor | 9 | 9A | 141 BPM | ||
| Mammy Blue | Botticelli | C Minor | 3 | 5A | 120 BPM | ||
| The Poet And I | Frank Mills | F Major | 3 | 7B | 135 BPM | ||
| 過ぎ去りし日々を想いて | Katsuhisa Hattori | G Major | 3 | 9B | 92 BPM | ||
| フレールディベール(冬の華)(東映映画「冬の華」より ) | Claude Ciari | E Minor | 4 | 9A | 127 BPM | ||
| シェリト・リンド | パーシー フェイス | F Major | 3 | 7B | 115 BPM | ||
| エバーグリーン(スター誕生・愛のテーマ) | マントヴァーニ・オーケストラ | D Major | 4 | 10B | 91 BPM | ||
| Cri d'amour | Pierre Porte | A♭ Major | 4 | 4B | 145 BPM | ||
| エデンの東 | フィルム・スタジオ・オーケストラ | D Major | 3 | 10B | 185 BPM | ||
| トゥ・ラヴ・アゲイン | 羽田健太郎 | D Major | 3 | 10B | 120 BPM | ||
| グリーンスリーブス | マントヴァーニ楽団 | A Minor | 1 | 8A | 76 BPM | ||
| 新日本紀行 オリジナルカバー | NIYARI計画 | D Minor | 4 | 7A | 72 BPM | ||
| 空港 | 河村利夫 | A♭ Minor | 2 | 1A | 114 BPM | ||
| 太陽がいっぱい [太陽がいっぱいより] | スクリーン・サウンド・アート・オーケストラ | D Minor | 2 | 7A | 109 BPM | ||
| April In Portugal | Annunzio Paolo Mantovani | C Major | 3 | 8B | 121 BPM | ||
| Londonderry Air | Johnny Pearson and His Orchestra | G Major | 2 | 9B | 98 BPM | ||
| ヘンデルのラルゴ | George Frideric Handel, Orchestra Marco Mantovani | G Major | 2 | 9B | 89 BPM | ||
| トゥー ラブ アゲイン | カーメン キャバレロ | E♭ Major | 4 | 5B | 63 BPM | ||
| さすらいの口笛 | シネマサウンズ・オーケストラ | D Minor | 5 | 7A | 128 BPM | ||
| すきま風 | Sam Taylor | E♭ Major | 2 | 5B | 134 BPM | ||
| 愛の賛歌 [愛の賛歌 エディット・ピアフの生涯より] | スクリーン・サウンド・アート・オーケストラ | C Major | 2 | 8B | 97 BPM | ||
| 渚のアデリーヌ | 羽田健太郎 | C Major | 4 | 8B | 144 BPM | ||
| ひまわり | フィルム・スタジオ・オーケストラ | F Minor | 2 | 4A | 171 BPM | ||
| 浪路はるかに | ビリー・ヴォーン楽団 | F Major | 3 | 7B | 93 BPM |