"Copperface" by Garry Judd had its release date on February 4, 2016. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Copperface's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 8 in the song's album "The Green Man". In this album, this song's track order is #4. Copperface is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Copperface by Garry Judd having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Light as Feathers | Theo Travis, Garry Judd | C Minor | 1 | 5A | 117 BPM | ||
| Deep Walk | Farid Puber | B Minor | 5 | 10A | 125 BPM | ||
| The Call of The Land | Kathryn Bostic | C Major | 2 | 8B | 120 BPM | ||
| Allegro Vivace | Anna Jung | F Minor | 0 | 4A | 114 BPM | ||
| We Remember Catastrophe | Mychael Danna, Harry Gregson-Williams | A Major | 2 | 11B | 115 BPM | ||
| Elysian Nocturne | Elena Vesova | G Minor | 0 | 6A | 81 BPM | ||
| Mountains | Julian Colbus | G Minor | 1 | 6A | 92 BPM | ||
| Will o’ the Wisp | Garry Judd | F♯ Major | 5 | 2B | 110 BPM | ||
| Siblings | Takashi Ohmama, Dozan Fujiwara, György Gulyás Nagy, Budapest Art Orchestra | G Major | 3 | 9B | 106 BPM | ||
| Celestial Drop | Cosmic Drift | E Minor | 2 | 9A | 95 BPM | ||
| Collapsed Rings | Anže Rozman, Andrew Christie | B♭ Minor | 2 | 3A | 83 BPM | ||
| Echoes of 1913 | TmrDark | E Minor | 0 | 9A | 75 BPM | ||
| An Amazing Thing to See | Steven Price | E Major | 3 | 12B | 64 BPM | ||
| Visitas Gratificantes | Las Pléyades | E Major | 4 | 12B | 90 BPM | ||
| A Rose-Red City | Lavinia Concia | C Major | 2 | 8B | 120 BPM | ||
| Como Yo Soy | el jievo chin | A♭ Major | 4 | 4B | 160 BPM | ||
| Sin Reflejos | Beaudrix | F Minor | 6 | 4A | 120 BPM | ||
| Amazing Benefits | Cello Covers | F Major | 0 | 7B | 86 BPM | ||
| Mejores En Nada | Beaudrix | D Major | 1 | 10B | 108 BPM | ||
| Dreamy Night | Sleepy Toddlers | D Minor | 0 | 7A | 80 BPM | ||
| Unbroken Realm | Everrune | B♭ Major | 1 | 6B | 80 BPM | ||
| Lost Reality, Pt. 2 | Kyle Preston | C Minor | 1 | 5A | 69 BPM | ||
| Blood Money | Hannes De Maeyer, Ruben de Gheselle | E Minor | 1 | 9A | 141 BPM | ||
| Outer Solar System | Anže Rozman, Andrew Christie | A Minor | 3 | 8A | 170 BPM | ||
| Black Minds | Liliya Kumar, Lofi Chills | A♭ Minor | 2 | 1A | 120 BPM |