"Angry and Vulnerable Girls" by Blake Neely had its release date on July 18, 2017. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Angry and Vulnerable Girls's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Riverdale: Season 1 (Score from the Original Television Soundtrack)". In this album, this song's track order is #19. Furthermore, we believe that the track originated from United States. Angry and Vulnerable Girls is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Angry and Vulnerable Girls by Blake Neely having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| All F*cked Up! | Danny Elfman | A Minor | 1 | 8A | 119 BPM | ||
| Boardroom | Theodore Shapiro | D♭ Minor | 0 | 12A | 80 BPM | ||
| One Good Thing | Adam Taylor | F♯ Minor | 2 | 11A | 120 BPM | ||
| The Great Perhaps | Siddhartha Khosla | B Minor | 0 | 10A | 81 BPM | ||
| Motorcade / Marine One Lands | Trevor Morris | D♭ Major | 4 | 3B | 145 BPM | ||
| Sword and Cross | Mark Isham | D Minor | 0 | 7A | 171 BPM | ||
| The Phone Call | Score from the Motion Picture | A Minor | 0 | 8A | 136 BPM | ||
| Fencing | Mark Isham | D Minor | 1 | 7A | 63 BPM | ||
| Meant to Be | Jamin Winans | E♭ Major | 1 | 5B | 79 BPM | ||
| Avengers: Doomsday Teaser 1 Theme | HamiitKh Music | A Major | 1 | 11B | 60 BPM | ||
| The Human Kind | Chris Tilton | D Minor | 1 | 7A | 64 BPM | ||
| The Finale (The Choice) | Evan Goldman | D♭ Major | 6 | 3B | 139 BPM | ||
| Endless Forms Most Beautiful | Trevor Yuile | E Minor | 2 | 9A | 96 BPM | ||
| Leaving a Place You Loved | Dan Romer | E♭ Minor | 1 | 2A | 57 BPM | ||
| Senses | Blake Neely | B♭ Minor | 1 | 3A | 105 BPM | ||
| Final Minutes and the Mountains | Dan Romer | C Minor | 3 | 5A | 70 BPM | ||
| The End Of The Line | Roque Baños | D Minor | 2 | 7A | 121 BPM | ||
| Squirrel Rescue | Mike Higham, Matthew Margeson | F Minor | 2 | 4A | 60 BPM | ||
| The Prayer | Carlo Siliotto | F Major | 2 | 7B | 82 BPM | ||
| It's Alive | Jon Ekstrand | A♭ Major | 0 | 4B | 110 BPM | ||
| I Started The Fire | Michael Suby | A Minor | 1 | 8A | 105 BPM | ||
| 13 Tapes | Brendan Angelides, Eskmo | B Minor | 2 | 10A | 124 BPM | ||
| Dog Tag (Ending) | Thomas Newman | D Major | 2 | 10B | 78 BPM | ||
| The Right Place | Philip Ekström | B Minor | 1 | 10A | 66 BPM | ||
| Very Sick Girl (Main Title) | Thomas Newman | G Major | 8 | 9B | 98 BPM |