- BPM
- 126
- Key
- E Minor
- Camelot
- 9A
嵐のつぎの朝 by Mutsumi Hatano, 多井智紀, 兼松 衆 Song Details
"嵐のつぎの朝" by Mutsumi Hatano, 多井智紀, 兼松 衆 had its release date on June 2, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 歌曲集 枕草子, so we believe that "嵐のつぎの朝" is a single. Based on our statistics, 嵐のつぎの朝's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of 嵐のつぎの朝 by Mutsumi Hatano, 多井智紀, 兼松 衆 is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Music Key
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -23.388 dB
- Acousticness
- 99%
- Danceability
- 25%
- Energy
- 4%
- Instrumentalness
- 0%
- Liveness
- 10%
- Loudness
- 61%
- Speechiness
- 5%
- Valence
- 5%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Sonata for Violin and Continuo in C Minor, BWV 1024: II. Presto | Anonymous, Franck, Isabelle Faust, Kristin von der Goltz, Kristian Bezuidenhout | F♯ Minor | 3 | 11A | 105 BPM | |
 | アヴェ・ヴェルム・コルプス | Wolfgang Amadeus Mozart, Maki Mori | F Major | 0 | 7B | 70 BPM | |
 | 24 Preludes and Fugues Op. 87: No. 4, in E Minor: Fugue | Dmitri Shostakovich, Yulianna Avdeeva | E Minor | 1 | 9A | 135 BPM | |
 | F. クープラン: 葦 | François Couperin, ユゲット・ドレフュス | B♭ Minor | 2 | 3A | 102 BPM | |
 | 嘆きの歌~オペラ「妖精の女王」より | Henry Purcell, Mutsumi Hatano, 寺神戸亮, アンサンブル・レ・ボレアード | E♭ Minor | 0 | 2A | 68 BPM | |
 | Fairy Queen, Z. 629: One charming night - Arr. for Voice & Piano | Henry Purcell, Théophile Alexandre, Guillaume Vincent | E♭ Minor | 1 | 2A | 133 BPM | |
 | Libro quarto d'intavolatura di chitarone: Kapsberger | Giovanni Girolamo Kapsberger, Rolf Lislevand | B Major | 1 | 1B | 141 BPM | |
 | Ancor che col partire | Antonio de Cabezón, Yoann Moulin | A Minor | 1 | 8A | 135 BPM | |
 | Missa da capella (on Gombert's motet In illo tempore): Sanctus | Claudio Monteverdi, Midori Suzuki, Yukari Nonoshita, Yoshie Hida, Mutsumi Hatano, Gerd Türk, Stephan Van Dyck, Yosuke Taniguchi, Stephan MacLeod, Yoshitaka Ogasawara, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | A♭ Major | 2 | 4B | 63 BPM | |
 | Scarlatti, D: Keyboard Sonata in A Minor, Kk. 3 | Domenico Scarlatti, Scott Ross | B Major | 4 | 1B | 111 BPM | |
 | Violin Concerto No.7 in D Minor: I. Allegro (Arr. Solo Piano by Del Corral) | Antonio Vivaldi, Manuel del Corral | B Minor | 1 | 10A | 100 BPM | |
 | Erhöhtes Fleisch und Blut, BWV 173: Aria. Gott will, o ihr Menschenkinder (Alto) | Johann Sebastian Bach, Yukari Nonoshita, Mutsumi Hatano, Gerd Türk, Peter Kooij, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | F♯ Minor | 2 | 11A | 127 BPM | |
 | Concerto Pour Basson, Deux Violons, Alto Et Basse Continue En Si Bémol Majeur, GWV 340: II. Affetuoso | Christoph Graupner, Mathieu Lussier, Natalie Michaud, Geneviève Soly, Les idées heureuses | E Major | 0 | 12B | 64 BPM | |
| Vespro della Beata Vergine, SV 206: Magnificat (I) a 7: Quia respexit [a 1] | Claudio Monteverdi, Midori Suzuki, Yukari Nonoshita, Yoshie Hida, Mutsumi Hatano, Gerd Türk, Stephan Van Dyck, Yosuke Taniguchi, Stephan MacLeod, Yoshitaka Ogasawara, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | E♭ Minor | 1 | 2A | 64 BPM | |
 | Vater unser im Himmelreich, BuxWV 219 | Dietrich Buxtehude, Andrej Harinek | B♭ Major | 0 | 6B | 69 BPM | |
 | López : Variaciones del Fandango español | Félix Máximo López, Andreas Staier | E♭ Major | 2 | 5B | 124 BPM | |
 | 過ぎし時 | Mutsumi Hatano, 多井智紀, 兼松 衆 | G Major | 0 | 9B | 71 BPM | |
 | Concerto Armonico No. 3 in A Major: Grave sostenuto da capella: Canone di Palestrina - Adagio e forte | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 129 BPM | |
| Missa da capella (on Gombert's motet In illo tempore): Gloria | Claudio Monteverdi, Midori Suzuki, Yukari Nonoshita, Yoshie Hida, Mutsumi Hatano, Gerd Türk, Stephan Van Dyck, Yosuke Taniguchi, Stephan MacLeod, Yoshitaka Ogasawara, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | F♯ Minor | 2 | 11A | 127 BPM | |
 | 11月のある日 | Leo Brouwer, Mutsumi Hatano, Yasuji Ohagi | A Minor | 1 | 8A | 96 BPM | |
 | Solomon, HWV 67, Act I Scene 1: No. 4 "With pious heart, and holy tongue" (Chorus of Priests) | George Frideric Handel, RIAS Kammerchor, Daniel Reuss, Akademie für Alte Musik Berlin | D Minor | 1 | 7A | 77 BPM | |
 | Requeim in C Minor, ZWV. 48: Kyrie - II | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Paul Dombrecht | D♭ Minor | 2 | 12A | 86 BPM | |
 | Trio Sonata in B Minor, H. 567: III. Presto | Carl Philipp Emanuel Bach, Lisa Batiashvili, Emmanuel Pahud, Sebastian Klinger, Peter Kofler | A Major | 2 | 11B | 110 BPM | |
 | Couperin, L: Suite en ré: II. Allemande, G. 35 | Louis Couperin, Jean Rondeau | E♭ Major | 4 | 5B | 90 BPM | |
 | 水差しの赤ちゃん | Francis Poulenc, Francis, Mutsumi Hatano, Yuji Takahashi | F Major | 8 | 7B | 100 BPM |
- ISRC
- JPZ921402397
- Label
- L-M Records/RCA Records