"How Good We Had It" by Hayley Taylor had its release date on August 24, 2010. The duration of This song is about 3 minutes long, at 3:19. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 10 in the song's album "One Foot In Front of the Other". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, How Good We Had It's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With How Good We Had It by Hayley Taylor having a BPM of 146 with a half-time of 73 BPM and a double-time of 292 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In My Head | Until June | D♭ Minor | 7 | 12A | 122 BPM | ||
| Lost & Far From Home | Katie Costello | E♭ Major | 2 | 5B | 112 BPM | ||
| Add My Effort | The Weepies, Deb Talan, Steve Tannen | F♯ Major | 1 | 2B | 98 BPM | ||
| Unwritten Page | The Spurneds | C Major | 3 | 8B | 101 BPM | ||
| Your Love | Fay Wolf | A♭ Major | 4 | 4B | 180 BPM | ||
| Same Changes | The Weepies, Deb Talan, Steve Tannen | D♭ Minor | 7 | 12A | 127 BPM | ||
| Flowers Turn To Fire | O+S | C Major | 4 | 8B | 116 BPM | ||
| This Rope Is Long | Let's Go Sailing | G Major | 1 | 9B | 151 BPM | ||
| Thinking of You | Pete Yorn | D Major | 7 | 10B | 108 BPM | ||
| All For Something | P.J. Pacifico | F Major | 4 | 7B | 103 BPM | ||
| Golden | Scars On 45 | C Major | 2 | 8B | 133 BPM | ||
| Dotted Lines | Sweet Talk Radio | C Major | 4 | 8B | 132 BPM | ||
| Quiet Hearts | Amy Stroup | C Major | 5 | 8B | 112 BPM | ||
| Echoes | The Mostar Diving Club | E Major | 3 | 12B | 148 BPM | ||
| Sunrise | Lonesome Animals | E♭ Major | 3 | 5B | 110 BPM | ||
| Life Boat | Miranda Lee Richards | E♭ Major | 5 | 5B | 146 BPM | ||
| Follow The Arrow | Rosi Golan, Human | A Major | 5 | 11B | 103 BPM | ||
| Follow Through | Hotel Lights | B Minor | 4 | 10A | 121 BPM | ||
| What I Wouldn't Do | A Fine Frenzy | D Major | 7 | 10B | 115 BPM | ||
| Crazy Ever After (Acoustic) [Bonus Track] | The Rescues | D♭ Major | 2 | 3B | 204 BPM | ||
| This Woman's Work | Greg Laswell | A♭ Major | 2 | 4B | 129 BPM | ||
| Please Don't Leave Quite Yet | Adam Agin | E Major | 5 | 12B | 121 BPM | ||
| Easily Bruised | Matthew Barber | E Major | 5 | 12B | 114 BPM | ||
| Running Wild | Jules Larson | D♭ Major | 7 | 3B | 97 BPM | ||
| The City Lights | Umbrellas | D Minor | 7 | 7A | 148 BPM |