Jean-Philippe Rameau, Bruce Liu's ' "Gavotte et six doubles, RCT 5/7: Gavotte" was released on its scheduled release date, November 3, 2023. With This song being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of WAVES: Music by Rameau, Ravel, Alkan by Bruce Liu, Jean-Philippe Rameau, Charles-Valentin Alkan, Maurice Ravel. The song's track number on the album is #1 out of 25 tracks. Based on our data, Germany was the country where this track was produced or recorded. Gavotte et six doubles, RCT 5/7: Gavotte is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Gavotte et six doubles, RCT 5/7: Gavotte by Jean-Philippe Rameau, Bruce Liu has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Gavotte et six doubles, RCT 5/7: Gavotte being at 78 BPM, the half-time would be 39 BPM with a double-time of 156 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piano Concerto in A minor, Op. 16: II. Adagio - Live | Edvard Grieg, Alice Sara Ott, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | D Major | 2 | 10B | 121 BPM | ||
| Handel: Keyboard Suite No. 2 in F Major, HWV 427: I. Adagio | George Frideric Handel, Shani Diluka | D Minor | 0 | 7A | 134 BPM | ||
| Orpheus' Klage (Orfeo ed Euridice) | Christoph Willibald Gluck, Wilhelm Kempff, Matti Raekallio | D Minor | 0 | 7A | 69 BPM | ||
| Bagatelles I-XIII: Bagatelle I | Valentin Silvestrov, Hélène Grimaud | C Minor | 0 | 5A | 135 BPM | ||
| Pièces de clavecin, Book 1: No. 6, L'aimable (Arr. Feuillâtre for Guitar) | Joseph-Nicolas-Pancrace Royer, Raphaël Feuillâtre | D Minor | 2 | 7A | 130 BPM | ||
| Dvořák: Rusalka, Op. 114, B. 203, Act 1: Song to the Moon | Antonín Dvořák, Edgar Moreau, Jérémie Moreau | F♯ Major | 0 | 2B | 138 BPM | ||
| Rameau: Pièces de clavecin (1724), Suite in D Major, RCT 3: No. 1 Les Tendres Plaintes - Rondeau | Jean-Philippe Rameau, Jean Rondeau | C Minor | 3 | 5A | 87 BPM | ||
| Pièces de clavecin, Troisième Suite: I. Le Coucou | Louis-Claude Daquin, Tiffany Poon | E Minor | 1 | 9A | 69 BPM | ||
| Recueil de chants, Op. 65: No. 6, Barcarolle | Charles-Valentin Alkan, Bruce Liu | G Minor | 0 | 6A | 70 BPM | ||
| When I Am Laid in Earth | Henry Purcell, United Strings of Europe, Julian Azkoul | G Minor | 0 | 6A | 83 BPM | ||
| Come, Sweet Death, BWV 478 (Arr. for 5 Cellos) | Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Major | 0 | 8B | 122 BPM | ||
| Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
| Lied ohne Worte in F-Sharp Minor, Op. 67/2 | Felix Mendelssohn, Khatia Buniatishvili | F♯ Minor | 1 | 11A | 75 BPM | ||
| Nocturne in E Minor, Op. 72, No. 1 | Frédéric Chopin, Hélène Grimaud | B Major | 1 | 1B | 106 BPM | ||
| Orphée - Arr. for Piano duet / Act 1: III. La chambre d'Orphée | Philip Glass, Katia Labèque, Marielle Labèque | F Minor | 0 | 4A | 137 BPM | ||
| Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
| Keyboard Concerto in E-Flat Major, Op. 7. No. 5, W. C59: II. Andante | Johann Christian Bach, Anastasia Injushina, Hamburger Camerata, Ralf Gothoni | C Minor | 0 | 5A | 84 BPM | ||
| Couperin, F: Quatrième livre de pièces de clavecin, Vingt-cinquième Ordre: V. Les Ombres errantes | François Couperin, Alexandre Tharaud | C Minor | 0 | 5A | 67 BPM | ||
| Sinfonia in D Minor, Fk. 65: I. Adagio | Wilhelm Friedemann Bach, Il Pomo D'oro, Francesco Corti | D♭ Minor | 0 | 12A | 86 BPM | ||
| A Question | Tobias Hume, Anja Lechner | G Major | 1 | 9B | 79 BPM | ||
| Suite in B-Flat Major, HWV 434: IV. Menuet | George Frideric Handel, Khatia Buniatishvili | G Minor | 0 | 6A | 59 BPM | ||
| Song of the Birds | Pablo Casals, Sol Gabetta, Amsterdam Sinfonietta | D Major | 1 | 10B | 68 BPM | ||
| Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
| Ouverture in E Minor: II. Les plaisirs | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | D Minor | 2 | 7A | 114 BPM | ||
| Cinquième concert: II. La Cupis | Jean-Philippe Rameau, Víkingur Ólafsson | D Minor | 0 | 7A | 136 BPM |