Seiko Matsuda's '両手のなかの海' had a release date set for 1985. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "The 9th Wave". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Japan. In terms of popularity, 両手のなかの海 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 両手のなかの海 by Seiko Matsuda having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 桜の闇に振り向けば | Naoko Kawai | A Minor | 2 | 8A | 100 BPM | ||
| 夜明けのグッドバイ | Iruka | B Minor | 6 | 10A | 117 BPM | ||
| 再会のJOKER | 鎌田 英子 | B Major | 7 | 1B | 124 BPM | ||
| もう一度抱きたい | Masatoshi Nakamura | B♭ Minor | 8 | 3A | 114 BPM | ||
| Around the Corner | Chisato Okamoto | F♯ Minor | 6 | 11A | 110 BPM | ||
| 波止場 | Yoshitaka Minami | A Minor | 7 | 8A | 204 BPM | ||
| Stranger's City | Kahoru Kohiruimaki | G Major | 9 | 9B | 153 BPM | ||
| ひとときの別れ | Kosetsu Minami | C Major | 6 | 8B | 121 BPM | ||
| ガラスの恋人 | Masamichi Sugi | G Major | 6 | 9B | 121 BPM | ||
| Sweet Memories | CIRCUS | A♭ Major | 2 | 4B | 108 BPM | ||
| 4AM Blues (午前4時のブルース) | Retro City Pop | F♯ Minor | 6 | 11A | 110 BPM | ||
| Melody - 2015 Remaster | 浅香 唯 | E♭ Minor | 9 | 2A | 144 BPM | ||
| Espressoでお別れ | Machiko Watanabe | A Minor | 5 | 8A | 133 BPM | ||
| トーキョー・レイニーディ | チェウニ | D Minor | 4 | 7A | 112 BPM | ||
| 答えなし (No Answers) | Retro City Pop | F Major | 6 | 7B | 120 BPM | ||
| 1グラムの幸福 | Mari Iijima | D♭ Major | 6 | 3B | 122 BPM | ||
| 星空のメッセージ(シングルミックス) | 沢田聖子 | C Major | 3 | 8B | 84 BPM | ||
| 夜行列車 | Mayumi Itsuwa | D Minor | 6 | 7A | 125 BPM | ||
| ラヴ・イズ・オーヴァー | Yasuko Naito | C Major | 3 | 8B | 70 BPM | ||
| ガラスのダーリン - 2020 Remaster | Mari Iijima | E Major | 3 | 12B | 132 BPM | ||
| 他人どうし | Hitomi Ishikawa | D♭ Minor | 5 | 12A | 128 BPM | ||
| 哀愁のカサブランカ ('95 Version) | Hiromi Go | A♭ Minor | 6 | 1A | 116 BPM | ||
| 群れを離れた鳥たち | Masatoshi Nakamura | A Minor | 7 | 8A | 104 BPM | ||
| C.クローデルの罪 | Kanako Wada | G Minor | 6 | 6A | 115 BPM | ||
| Midnight Radio (0時のラジオ) | Retro City Pop | F♯ Minor | 6 | 11A | 110 BPM |