Agustín Irusta's ' "Percal" was released on its scheduled release date, May 6, 2014. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Percal's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Tangos de Oro". In this album, this song's track order is #6. In terms of popularity, Percal is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Percal by Agustín Irusta having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| No Hay Tierra Como la Mia | Francisco Lomuto, Jorge Omar | D Minor | 3 | 7A | 128 BPM | ||
| No Te Apures Carablanca | Ignacio Corsini | D Minor | 3 | 7A | 128 BPM | ||
| Remembranza | Juan D'Arienzo y su Orquesta Típica | C Major | 3 | 8B | 121 BPM | ||
| Luna de Café | RICHAR MT | D Minor | 3 | 7A | 128 BPM | ||
| Obsesión | Alfredo De Angelis, Juan Carlos Godoy | E Minor | 5 | 9A | 119 BPM | ||
| Maria | Alberto Marino | F Minor | 3 | 4A | 117 BPM | ||
| Cafetin De Buenos Aires | Aníbal Troilo, Edmundo Rivero | D Minor | 3 | 7A | 128 BPM | ||
| Y Todavía Te Quiero (with Rodolfo Lesica) | Héctor Varela y su Orquesta Típica, Rodolfo Lesica | A Minor | 5 | 8A | 130 BPM | ||
| Siempre Amigos | Lalo Martel | D Minor | 3 | 7A | 128 BPM | ||
| Tu Y Yo | Orquesta Francisco Canaro | F♯ Major | 2 | 2B | 0 BPM | ||
| Caminito | Grzegorz Falkowski, Juan De Dios Filiberto, Andrzej Rewak, Gabino Coria Peñaloza | G Major | 4 | 9B | 120 BPM | ||
| Mis Harapos | Enrique Rodríguez, Armando Moreno | F Minor | 4 | 4A | 101 BPM | ||
| Desde el Alma | Antonio Tormo | D Minor | 4 | 7A | 181 BPM | ||
| Por La Vuelta | Floreal Ruiz | C Major | 5 | 8B | 117 BPM | ||
| Te Seguiré Queriendo | Trio Martino | E♭ Minor | 3 | 2A | 120 BPM | ||
| Sombras Nada Más | Argentino Ledesma | F Minor | 5 | 4A | 126 BPM | ||
| Junto al Jagüey | Los Olimareños | D Minor | 2 | 7A | 143 BPM | ||
| Milonga Sentimental | Alfredo Sadel | A Major | 3 | 11B | 121 BPM | ||
| Rosa de otoño (Vals) | Nelly Omar, Francisco Canaro & His Orchestra | G Minor | 4 | 6A | 99 BPM | ||
| Damisela encantadora | Juan Arvizu, Ernesto Lecuona | F Minor | 2 | 4A | 85 BPM | ||
| Barrio Reo | Agustín Irusta | D Major | 1 | 10B | 120 BPM | ||
| La Última Copa | Agustín Irusta, Francisco Canaro Y Su Orquesta Tipica | D Minor | 2 | 7A | 119 BPM | ||
| Ocúltame Esos Ojos | Antonio Tormo | B♭ Major | 6 | 6B | 120 BPM | ||
| Volver | Rosanna Falasca | A Minor | 2 | 8A | 108 BPM | ||
| La Cumparsita | Hugo Del Carril | B♭ Major | 2 | 6B | 124 BPM |