On January 1, 1969, the song "A Real Woman" was released by Jeannie C. Riley. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. A Real Woman's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Things Go Better with Love". In this album, this song's track order is #5. Based on our statistics, A Real Woman's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With A Real Woman by Jeannie C. Riley having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Old Rivers | Walter Brennan | A Major | 7 | 11B | 120 BPM | ||
| Whoever's In New England | Reba McEntire | B Major | 2 | 1B | 75 BPM | ||
| Sentimental Ol' You | Charly McClain | A Major | 4 | 11B | 111 BPM | ||
| Who's Gonna Feed Them Hogs | Tom T. Hall | G Major | 6 | 9B | 105 BPM | ||
| I Don't Want to Have to Marry You | Jim Ed Brown, Helen Cornelius | A Major | 3 | 11B | 78 BPM | ||
| Looking Back To See | The Browns | G Major | 2 | 9B | 97 BPM | ||
| There He Goes | Sissy Spacek | F Major | 3 | 7B | 101 BPM | ||
| He'll Have to Go | Jim Reeves | C Major | 3 | 8B | 79 BPM | ||
| Me and Bobby Mcgee | Jeannie C. Riley | A Major | 6 | 11B | 76 BPM | ||
| Time's a Wastin' | Carl Smith, June Carter Cash | E♭ Major | 2 | 5B | 165 BPM | ||
| That's What I Like About You | Trisha Yearwood | A♭ Major | 9 | 4B | 118 BPM | ||
| Dream Lover | Billy 'Crash' Craddock | E Major | 6 | 12B | 140 BPM | ||
| I Fall To Pieces - Single Version | Patsy Cline, The Jordanaires | B♭ Major | 1 | 6B | 112 BPM | ||
| You're My Bestest Friend | Mac Davis | A Major | 5 | 11B | 75 BPM | ||
| One Night of Cheatin' (Ain't Worth the Reapin') | Carroll Baker | A Major | 5 | 11B | 164 BPM | ||
| Second Hand Rose | Roy Drusky | E♭ Major | 5 | 5B | 133 BPM | ||
| Slippin' Away | Jean Shepard | F Major | 5 | 7B | 113 BPM | ||
| Two Whoops And A Holler | Jean Shepard | A Major | 4 | 11B | 90 BPM | ||
| Roses for Mama | Red Sovine | A♭ Major | 5 | 4B | 97 BPM | ||
| Pass Me By (If You're Only Passing Through) | Janie Fricke | D Major | 3 | 10B | 108 BPM | ||
| I Wouldn't Buy a Used Car from Him | Norma Jean | F Major | 7 | 7B | 110 BPM | ||
| Why Not Me | The Judds | B♭ Major | 7 | 6B | 126 BPM | ||
| L.A. International Airport | Susan Raye | B♭ Major | 5 | 6B | 109 BPM | ||
| Born A Woman | Sandy Posey | C Major | 4 | 8B | 116 BPM | ||
| Coal Miner's Daughter - Single Version | Loretta Lynn | A Major | 4 | 11B | 137 BPM |