"The Bright Fields Of England/Crossing To Ireland" by The Cast had its release date on 1993. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "The Winnowing". In this album, this song's track order is #7. In terms of popularity, The Bright Fields Of England/Crossing To Ireland is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Bright Fields Of England/Crossing To Ireland by The Cast having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Day Dawn | The Cast | A Major | 2 | 11B | 120 BPM | ||
| Calling All Angels | Jane Siberry | G Major | 1 | 9B | 184 BPM | ||
| Dat's What Noah Done | The Warner Bros. Studio Orchestra | F Minor | 3 | 4A | 87 BPM | ||
| Midnight in Moscow | Kenny Ball & His Jazzmen | D Minor | 6 | 7A | 114 BPM | ||
| Danny Boy | Ruby Murray | A Major | 1 | 11B | 80 BPM | ||
| Building a Nest for Mary | The Captivators | G Minor | 4 | 6A | 179 BPM | ||
| Lazy Days and Moonlit Nights | John Fiddy, Grahame Roy Maclean, Odeon Orchestra, Sissi Gossner | F Major | 4 | 7B | 125 BPM | ||
| As Time Goes By | Rudy Vallee | A♭ Major | 2 | 4B | 81 BPM | ||
| Medley: Main Title / Prologue | The Warner Bros. Studio Orchestra | F Major | 4 | 7B | 76 BPM | ||
| Life Is Just a Bowl of Cherries | Rudy Vallee | D Minor | 7 | 7A | 120 BPM | ||
| When The Red, Red Robin Comes Bob, Bob, Bobbin' Along | Al Jolson | A♭ Major | 4 | 4B | 134 BPM | ||
| Stranger On The Shore | Acker Bilk, The Leon Young String Chorale | B♭ Major | 3 | 6B | 98 BPM | ||
| Lullabye for a Very New Baby | The Cast | D Major | 1 | 10B | 92 BPM | ||
| Sentimental Journey | The Merry Macs | D♭ Major | 2 | 3B | 183 BPM | ||
| Mairzy Doats | The Merry Macs | F Minor | 2 | 4A | 157 BPM | ||
| A Nice Cup Of Tea | Gracie Fields, Fred Hartley & his Quintet | F Major | 3 | 7B | 83 BPM | ||
| I Remember | Molly Drake | E♭ Minor | 0 | 2A | 57 BPM | ||
| Tiree Love Song | The Corries | G Major | 2 | 9B | 141 BPM | ||
| Feeling Lonely on a Sunday Afternoon (Instrumental) | Alfonso de Vilallonga | F Minor | 3 | 4A | 98 BPM | ||
| And the Band Played On | The Mellomen with Thurl Ravenscroft | B♭ Major | 0 | 6B | 137 BPM | ||
| The Step-Dancing Song | The Cast | G Major | 1 | 9B | 166 BPM | ||
| Swing Me High; Swing Me Low | Mark Isham | F Major | 3 | 7B | 106 BPM | ||
| Both Sides Now | Joni Mitchell | F♯ Major | 2 | 2B | 97 BPM | ||
| Brother Can You Spare A Dime | Paul Englishby | G Minor | 2 | 6A | 127 BPM | ||
| Scotch And Soda | The Kingston Trio | C Major | 0 | 8B | 102 BPM |