Bernardo Pasquini, Rinaldo Alessandrini's ' "Partite diverse sopra Allemanda" was released on its scheduled release date, April 1, 1991. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 33 in the song's album "Pasquini: Sonate per gravicembalo". In this album, this song's track order is #20. In terms of popularity, Partite diverse sopra Allemanda is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Partite diverse sopra Allemanda by Bernardo Pasquini, Rinaldo Alessandrini having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Trio Sonata in G Major, Op. 2 No. 12. Ciacona | Arcangelo Corelli, Simon Standage, Micaela Comberti, Anthony Pleeth, Trevor Pinnock | A Major | 3 | 11B | 68 BPM | ||
| Flute Quartet in G Minor, TWV 43 g4: II. Adagio | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | A Major | 1 | 11B | 77 BPM | ||
| Symphony in D Minor, W. I/3: I. Allegro | Johann Christoph Friedrich Bach, Concerto Köln | E♭ Minor | 1 | 2A | 82 BPM | ||
| Chacony in G | John Blow, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 2 | 2B | 120 BPM | ||
| Overture For Viola D'amore & Orchestra in D Minor, GWV 426: II. Rondeau | Christoph Graupner, Les idées heureuses, Hélène Plouffe, Geneviève Soly | D♭ Minor | 1 | 12A | 121 BPM | ||
| Concerto for 2 Violins in A Major, TWV 52:A2: II. Largo | Georg Philipp Telemann, Julia Huber, Martin Jopp, L'Orfeo Barockorchester, Carin van Heerden | E♭ Major | 0 | 5B | 138 BPM | ||
| Sonata in A Minor, QV 2:41a/b: IV. Allegro | Johann Joachim Quantz, Ensemble Zefiro, Alfredo Bernardini | F♯ Minor | 3 | 11A | 105 BPM | ||
| Concerto a cinque No. 9, Op. 7: II. Adagio (Oboe tacet) | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | E Major | 1 | 12B | 131 BPM | ||
| Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: I. Adagio | Dietrich Becker, La Rêveuse, Florence Bolton, Sébastien Wonner, Benjamin Perrot | D♭ Major | 1 | 3B | 90 BPM | ||
| Concerto for 3 Trumpets, Timpani, 2 Oboes, bassoon and Violin in D Major, FWV L:D3: II. Andante | Johann Friedrich Fasch, Il Gardellino | G Minor | 1 | 6A | 116 BPM | ||
| I fatti di Mosè nel deserto: Ma nostre voci flebili | Bernardo Pasquini, Filippo Mineccia, Nereydas, Javier Ulises Illán | G Minor | 1 | 6A | 92 BPM | ||
| Sinfonia a quattro: I. Allegro assai | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
| Concert royaux, Quatrième concert in E Minor: V. Sarabande. Très tendrement | François Couperin, Lucie Horsch, Tom Foster | E Major | 0 | 12B | 89 BPM | ||
| Musique de table 'Tafelmusik', Solo Sonata in G minor (oboe & strings): I. Largo | Han De Vries, Bob van Asperen, Alma Musica Amsterdam | F♯ Minor | 1 | 11A | 79 BPM | ||
| Pièces à deux violes du Premier Livre, suite en ré mineur: V. Gigue (1686) | Marin Marais, Jordi Savall, Christophe Coin, Ton Koopman, Hopkinson Smith | D♭ Minor | 2 | 12A | 113 BPM | ||
| Sonata da camera in G Minor, "O Haupt voll Blut und Wunden": III. Adagio | Johann Gottlieb Janitsch, Il Gardellino | E Major | 1 | 12B | 60 BPM | ||
| Almiro, entro il mio petto (Live) | Bernardo Pasquini, Juan Sancho, Morgan Pearse, Innsbrucker Festwochenorchester, Alessandro De Marchi | G Major | 8 | 9B | 84 BPM | ||
| Variazioni capricciose | Bernardo Pasquini, Leonardo Carrieri | C Major | 1 | 8B | 70 BPM | ||
| Suite in G Minor: Andamento malinconico | Nicola Matteis, Le Consort, Louise Ayrton | F♯ Minor | 1 | 11A | 81 BPM | ||
| Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in G Minor, No. 6: III. Grave | Tomaso Albinoni, Ensemble 415, Chiara Banchini | A♭ Major | 3 | 4B | 132 BPM | ||
| Violin Sonata in F Major, Op. 5 No. 4: II. Allegro (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Stabat mater: XIII. Fac me vere tecum flere | Alessandro Scarlatti, Paul Figuier, Les Accents, Thibault Noally | E Minor | 2 | 9A | 68 BPM | ||
| "Sonate à quatre parties" in D Major: I. Allegro | Jean-Baptiste Quentin, Hajo Bäß, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 2 | 3B | 185 BPM | ||
| Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
| Cuckoo Toccata | Bernardo Pasquini, Igor Kipnis | A Major | 3 | 11B | 143 BPM |