Andy Stott's 'How It Was' had a release date set for November 17, 2014. This song is about six minutes long, preciously at 6:09, making this song fairly long compared to other songs. The song is number 6 out of 9 in Faith in Strangers by Andy Stott. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, How It Was is currently below average in popularity. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of How It Was by Andy Stott is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Means Whereby Lovers Are Waylaid | Telefon Tel Aviv | B♭ Minor | 3 | 3A | 114 BPM | ||
| Menschen und Mauern | Shed | E♭ Minor | 8 | 2A | 170 BPM | ||
| Distant Lights | Burial | B♭ Minor | 5 | 3A | 127 BPM | ||
| LIFE, LIFE - Andy Stott Remodel | Ryuichi Sakamoto, Andy Stott | F Major | 3 | 7B | 85 BPM | ||
| Near Dark | Burial | D Major | 8 | 10B | 135 BPM | ||
| Waiting for You | Andy Stott | D♭ Major | 1 | 3B | 76 BPM | ||
| Phototype | Shed | F Minor | 4 | 4A | 128 BPM | ||
| Eye Contact | The Other People Place | B Major | 5 | 1B | 126 BPM | ||
| Ghosting | Rival Consoles | E Minor | 7 | 9A | 101 BPM | ||
| Cyan | Monolake | B Minor | 4 | 10A | 140 BPM | ||
| Ecce! Ego! | Leon Vynehall | D♭ Major | 6 | 3B | 82 BPM | ||
| Envelopes (Chapter VI) | Leon Vynehall | A♭ Major | 3 | 4B | 74 BPM | ||
| Ultimate Care II Excerpt One | Matmos | B Minor | 9 | 10A | 170 BPM | ||
| Terrazzo | Visible Cloaks, Motion Graphics | E♭ Minor | 2 | 2A | 88 BPM | ||
| Lose You Beau | Space Afrika | E♭ Minor | 4 | 2A | 135 BPM | ||
| The Autumnal Crush | Clark | G Major | 6 | 9B | 100 BPM | ||
| Music of the Air | Tim Hecker | D Minor | 0 | 7A | 139 BPM | ||
| Answers | Andy Stott | A♭ Major | 6 | 4B | 134 BPM | ||
| Cubist Camouflage | Huerco S. | F♯ Major | 2 | 2B | 121 BPM | ||
| Glass | Kode9, The Spaceape | B Major | 2 | 1B | 145 BPM | ||
| Do Dekor | Jan Jelinek | G Major | 5 | 9B | 120 BPM | ||
| Brace Yourself Jason | µ-Ziq | G Major | 7 | 9B | 146 BPM | ||
| Mercury | Laurel Halo | B♭ Minor | 3 | 3A | 85 BPM | ||
| 0L9 | Andy Stott | D♭ Major | 6 | 3B | 114 BPM | ||
| Stammer | Raime | C Minor | 4 | 5A | 130 BPM |