- BPM
- 133
- Key
- G Major
- Camelot
- 9B
I Talk to the Trees by Tony Bavaar Song Details
Tony Bavaar's 'I Talk to the Trees' had a release date set for August 1, 1989. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Paint Your Wagon (Original Broadway Cast Recording)". In this album, this song's track order is #4. Based on our statistics, I Talk to the Trees's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With I Talk to the Trees by Tony Bavaar having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
Music Key
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 8%
- Loudness
- -13.725 dB
- Acousticness
- 94%
- Danceability
- 27%
- Energy
- 22%
- Instrumentalness
- 0%
- Liveness
- 10%
- Loudness
- 77%
- Speechiness
- 3%
- Valence
- 31%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Everybody Ought to Have a Maid | David Burns, Jack Gilford, John Carradine | F♯ Minor | 2 | 11A | 83 BPM | |
 | The Continental | Alex Mendham and His Orchestra | A♭ Major | 4 | 4B | 168 BPM | |
 | Big Boy | Ray McKinley | A♭ Major | 1 | 4B | 116 BPM | |
 | No Target | David Atkinson | D Major | 9 | 10B | 111 BPM | |
 | By the Fireside | Eddie Duchin | C Major | 1 | 8B | 129 BPM | |
 | This Plum Is Too Ripe | Hugh Thomas, Rita Gardner, William Larsen, Kenneth Nelson | F Major | 4 | 7B | 71 BPM | |
 | Seventy Six Trombones | Robert Preston, Meredith Wilson, Broadway Cast | A♭ Major | 6 | 4B | 129 BPM | |
 | Sweet Charity: You Should See Yourself | Cy Coleman, Gwen Verdon, Sweet Charity Original Broadway Cast, Fred Werner | D Major | 3 | 10B | 96 BPM | |
 | Let's Do It (Let's Fall in Love) | B. A. Rolfe & His Lucky Strike Orchestra | F Major | 3 | 7B | 102 BPM | |
 | Can't Help Lovin' Dat Man - Original | The Cast of The Show Boat | A♭ Major | 0 | 4B | 85 BPM | |
 | I Wish I Were In Love Again | Christopher Fitzgerald, Jessica Stone, Richard Rodgers, Lorenz Hart | G Major | 3 | 9B | 93 BPM | |
![She's the Sweetheart of Six Other Guys (Alternate Version) [Recorded April 1928] by Billy Jones, Ernest Hare](https://i.scdn.co/image/ab67616d00001e02608386fd0250cd9fb0dc2795) | She's the Sweetheart of Six Other Guys (Alternate Version) [Recorded April 1928] | Billy Jones, Ernest Hare | E Minor | 2 | 9A | 120 BPM | |
 | I've Come To Wive It Wealthily In Padua | Broadway Cast Recording | B♭ Major | 5 | 6B | 109 BPM | |
 | His Name Was Coalhouse Walker | Brian Stokes Mitchell, Duane Martin Foster, Ralph Deaton, Darlene Bel Grayson, Keith LaMelle, Monica Patton, Vanessa Townsell-Crisp, Leon Williams, Ragtime Ensemble, Original Broadway Cast of Ragtime: The Musical | B♭ Major | 3 | 6B | 127 BPM | |
| Footstep | David Atkinson | D Major | 9 | 10B | 111 BPM | |
 | Introduction/Theme ("Moonlight Serenade) | Ed Herlihy & Glenn Miller | C Minor | 3 | 5A | 84 BPM | |
 | Suite 2 - From The Bishop's Wife, 1947 | Cary Grant, Hugo Friedhofer | E♭ Major | 4 | 5B | 99 BPM | |
 | Tangerine | Jimmy Dorsey & His Orchestra, Bob Eberly, Helen O'Connell | B Minor | 2 | 10A | 155 BPM | |
 | It Wonders Me | Gloria Marlowe, Original Broadway Cast 'Plain And Fancy' | A♭ Major | 4 | 4B | 106 BPM | |
 | Never Mind Bo Peep | Ann Jilliann, Mary McCarty | B♭ Major | 2 | 6B | 91 BPM | |
 | Street Scene: What Good Would the Moon Be? | Kurt Weill, Anne Jeffreys, Maurice Abravanel | D♭ Major | 2 | 3B | 54 BPM | |
 | 42nd Street | Wanda Richert, Lee Roy Reams, 42nd Street Ensemble | C Major | 6 | 8B | 87 BPM | |
 | Annie: Annie | Charles Strouse, Sandy Faison, Annie Ensemble, Annie (Original Broadway Cast), Peter Howard | D♭ Major | 3 | 3B | 80 BPM | |
 | Fat Sam's Grand Slam | Michael Sturges, Paul Lowe, Shean Williams, Sheridan Smith | G Major | 6 | 9B | 114 BPM | |
 | There Is Nothing Like A Dame | South Pacific 1988 London Cast Recording Male Ensemble | E Major | 2 | 12B | 141 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records