George Frideric Handel, London Symphony Orchestra, Mark Padmore, Sir Colin Davis's ' "Messiah, HWV 56, Part II: No. 42, He That Dwelleth In Heaven" was released on its scheduled release date, October 9, 2007. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in George Frideric Handel, London Symphony Orchestra, Sir Colin Davis, Susan Gritton, Sara Mingardo, Mark Padmore, Alastair Miles, Tenebrae's "Handel: Messiah" album is number 16 out of 53. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Messiah, HWV 56, Part II: No. 42, He That Dwelleth In Heaven is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Messiah, HWV 56, Part II: No. 42, He That Dwelleth In Heaven by George Frideric Handel, London Symphony Orchestra, Mark Padmore, Sir Colin Davis to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Handel: Concerto a due cori No. 1 in B-Flat Major, HWV 332: I. Overture - Allegro ma non troppo | George Frideric Handel, Leslie Pearson, Menuhin Festival Orchestra, Yehudi Menuhin | F Major | 1 | 7B | 135 BPM | ||
| Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
| Petite messe solennelle: Kyrie | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone | C Major | 0 | 8B | 120 BPM | ||
| Handel: Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Jupiter, Thomas Dunford | D♭ Minor | 1 | 12A | 76 BPM | ||
| The Hebrides, Op. 26 "Fingal's Cave" | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | D Major | 1 | 10B | 137 BPM | ||
| Scarlatti,A: La Giuditta: "Dormi, o fulmine di guerra" (Nutrice) | Alessandro Scarlatti, Philippe Jaroussky | D♭ Major | 0 | 3B | 67 BPM | ||
| Overture (Suite) In D Major, TWV 55:D15: III. Harlequinade | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 3 | 10B | 135 BPM | ||
| Concerto a cinque No. 2, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 1 | 11B | 45 BPM | ||
| Concerto in F Major, S. 234: III. Un poco allegro | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 0 | 12B | 99 BPM | ||
| Overture (Suite) in G Major, TWV 55:G10, "Burlesque de Quixotte": IV. Les Soupirs amoureux apres la Princesse Dulcinee | Georg Philipp Telemann, Northern Chamber Orchestra, Nicholas Ward | C Major | 1 | 8B | 168 BPM | ||
| Serenade for Winds No. 10 in B-Flat Major, K. 361/370a "Gran Partita": III. Adagio | Wolfgang Amadeus Mozart, Sir Colin Davis, Winds of the Bavarian Radio Symphony Orchestra | B Major | 4 | 1B | 157 BPM | ||
| Keyboard Suite No. 3 (Set I) in D Minor, HWV 428: VI. Presto | George Frideric Handel, Philip Edward Fisher | D Minor | 2 | 7A | 131 BPM | ||
| Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 140 BPM | ||
| Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Pur ti miro" (Nerone, Poppea) | Claudio Monteverdi, Philippe Jaroussky, L'Arpeggiata, Núria Rial, Christina Pluhar | G Major | 1 | 9B | 77 BPM | ||
| Armide: Overture | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | B♭ Major | 1 | 6B | 70 BPM | ||
| Fauré: Pavane, Op. 50 (Instrumental Version) | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
| Oboe Quartet in F Major, K. 370: II. Adagio | Wolfgang Amadeus Mozart, Alexei Ogrintchouk, Boris Brovtsyn, Maxim Rysanov, Kristine Blaumane | D Minor | 0 | 7A | 84 BPM | ||
| Trio Sonata in B Minor, H. 567: III. Presto | Carl Philipp Emanuel Bach, Lisa Batiashvili, Emmanuel Pahud, Sebastian Klinger, Peter Kofler | A Major | 2 | 11B | 110 BPM | ||
| Symphony No. 1 in B-Flat Major, Op. 2: I. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 1 | 11B | 86 BPM | ||
| Oboe Concerto in C Major on Themes of Pergolesi: IV. Allegro | Anthony Camden, City of London Sinfonia, Nicholas Ward | G Major | 1 | 9B | 124 BPM | ||
| Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
| Monteverdi: L'Orfeo, SV 318: Toccata | Alessandro Striggio, Claudio Monteverdi, Christina Pluhar | D Major | 2 | 10B | 146 BPM | ||
| Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
| Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": 2. Adagio un poco mosso | Ludwig van Beethoven, Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | B Major | 0 | 1B | 85 BPM | ||
| Recorder Concerto in C Major, TWV 51:C1: IV. Tempo di Minuet | Georg Philipp Telemann, New London Consort, Philip Pickett | F♯ Major | 1 | 2B | 131 BPM |