On June 25, 2005, the song "Mobile Phone Chori Kayam" was released by Jashvant Rathava. The duration of This song is about 3 minutes long, at 3:02. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Rojadi". In this album, this song's track order is #5. Furthermore, we believe that the track originated from France. In terms of popularity, Mobile Phone Chori Kayam is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Mobile Phone Chori Kayam by Jashvant Rathava having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gomne Obo Morilo Re | Jashvant Rathva, Tulsi Tarabada, Satish Tarabada | A♭ Major | 8 | 4B | 124 BPM | ||
| Bhil Maro Bhayo Bhelan Mari | Jashvant Rathva | F Minor | 7 | 4A | 110 BPM | ||
| MEVAD NA SHRIJI BAVA | NITIN DEVKA-NIDHO DHOLKIA | B♭ Minor | 7 | 3A | 51 BPM | ||
| Vanke Ambode Shrinathji | Lalita Ghodadra | F Major | 5 | 7B | 102 BPM | ||
| Havaj Ni Border, Pt. 1 | Parul Rathva, Ritesh Bhaliya | E Minor | 9 | 9A | 132 BPM | ||
| Peli Juvanadi Bhaguriyo Dekhan | Jashvant Rathava | F Minor | 8 | 4A | 58 BPM | ||
| He Bhaya Madal Vagad Ghadik | Jashvant Rathava | C Minor | 8 | 5A | 110 BPM | ||
| Madalni Jodi Chamocham | Jashvant Rathva | C Major | 6 | 8B | 186 BPM | ||
| Lili Odhani | Narvat Rathva | F♯ Minor | 9 | 11A | 128 BPM | ||
| Sumta Kumta Naar | Moinuddin Manchala | G Minor | 8 | 6A | 95 BPM | ||
| Dihi Ma Dihiwarin (Kantikartik) | OP Dewangan | D♭ Major | 9 | 3B | 130 BPM | ||
| Suratne Railgadi | Jashvant Rathava, Kamlesh Barot, Kokila Rathava, Ramila Rathava | G Major | 8 | 9B | 104 BPM | ||
| Mevad Na Nath Mane Lage Payara - Gval | Nidhi Dholakia, Nitin Devka | G Minor | 9 | 6A | 147 BPM | ||
| Tham Tham Maadal Baaje | Jashvant Rathava | F Minor | 5 | 4A | 49 BPM | ||
| Timli Dhamaka Part 3 | Rajal Barot, Bharat Pagi | B Major | 7 | 1B | 119 BPM | ||
| Mogal Chhedta Kalo Nag | Pamela Jain, Kirtidan Gadhvi | G Major | 7 | 9B | 174 BPM | ||
| Aadiwasi Sher | Vk Bhuriya, Jignesh Pasaya | F♯ Minor | 10 | 11A | 118 BPM | ||
| Kishan Rathva Express Part 3 | Kishan Rathva | A♭ Major | 9 | 4B | 116 BPM | ||
| Chokari Pate Gai Mari Style Ma | Satish Tarabada, Tulsi Tarabada, Jashvant Rathava | A♭ Major | 8 | 4B | 124 BPM | ||
| Tractor | Vk Bhuriya | D♭ Major | 8 | 3B | 169 BPM | ||
| Dungarama Hirni Dori Re Lakadu | Satish Tarabada, Tulsi Tarabada, Jashvant Rathava | F♯ Major | 7 | 2B | 57 BPM | ||
| Halore Aame Vrajma Javana | Hemant Chauhan | A♭ Minor | 7 | 1A | 118 BPM | ||
| Krushna Nu Naam Jene Lidhu Jagatma | Asif Jeriya | A♭ Major | 5 | 4B | 125 BPM | ||
| Peli Juvanadi Bhaguriyo Dekhan | Jashvant Rathva | F Minor | 7 | 4A | 110 BPM | ||
| Sinudi Express | Bhavesh Khant | F♯ Minor | 10 | 11A | 116 BPM |