"The Parting Glass: The Parting Glass" by Matthew Long, Rufus Miller had its release date on March 2, 2015. The duration of This song is about 3 minutes long, at 3:29. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 22 in the song's album "Till the Stars Fall". In this album, this song's track order is #16. The popularity of The Parting Glass: The Parting Glass is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Parting Glass: The Parting Glass by Matthew Long, Rufus Miller having a BPM of 176 with a half-time of 88 BPM and a double-time of 352 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| De lamentatione Jeremiae prophetae, T. 171 "Lamentations": I. De lamentatione Jeremiae prophetae | William Byrd, The Gesualdo Six, Owain Park | D♭ Minor | 1 | 12A | 134 BPM | ||
| Missa sopra Ecco si beato giorno: Agnus Dei I | Alessandro Striggio, Le Concert Spirituel, Hervé Niquet | E Major | 0 | 12B | 57 BPM | ||
| Offertorium: II. Hostias et preces | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | F Minor | 1 | 4A | 139 BPM | ||
| Christ lag in Todesbanden, BWV 4: VII. Versus 6. So feiern wir das hohe Fest | Johann Sebastian Bach, Sébastien Daucé, Ensemble Correspondances, Caroline Weynants, Raphael Höhn | E Minor | 2 | 9A | 178 BPM | ||
| Missa Concertata La Lombardesca: Benedictus | Bartłomiej Pękiel, Charlotte Mobbs, Alice Gribbin, Kim Porter, Caroline Trevor, Jeremy Budd, Matthew Long, Jimmy Holliday, Stuart Young, Eamonn Dougan | E♭ Minor | 0 | 2A | 67 BPM | ||
| Mazzocchi: Sospirate bellezze (Dal "Florido concento di madrigali") | Virgilio Mazzocchi, Tragicomedia | A♭ Minor | 0 | 1A | 105 BPM | ||
| Vespro della Beata Vergine, SV 206: XIIIh. Magnificat "Esurientes implevit bonis" | Claudio Monteverdi, Philippe Herreweghe, Dorothee Mields, Barbora Kabátková, Collegium Vocale Gent | G Major | 1 | 9B | 115 BPM | ||
| Messe de minuit pour Noël, H. 9: II. Gloria: No. 2, Et in terra pax | Marc-Antoine Charpentier, Gaétan Jarry, Marguerite Louise, Romain Champion, Mathias Vidal, David Witczak | C Major | 3 | 8B | 178 BPM | ||
| Laudate pueri Dominum, RV 600: Excelsus super omnes gentes | Antonio Vivaldi, Tracy Smith Bessette, Aradia Ensemble, Kevin Mallon | D♭ Minor | 0 | 12A | 99 BPM | ||
| Elevatio O miraculum! | Sébastien de Brossard, Sébastien Daucé, Ensemble Corrrespondances | C Major | 2 | 8B | 94 BPM | ||
| Rossi: Ai sospiri, al dolore | Luigi Rossi, Tragicomedia | G Minor | 0 | 6A | 65 BPM | ||
| Messe de Minuit, H. 9: Gloria | Marc-Antoine Charpentier, Sébastien Daucé, Ensemble Corrrespondances, Randol Rodriguez, Etienne Bazola, Marie-Frédérique Girod, Caroline Weynants | C Major | 2 | 8B | 94 BPM | ||
| Requeim in C Minor, ZWV. 48 | Jan Dismas Zelenka, Il Fondamento, Monika Frimmer, Peter Kooij, Paul Dombrecht | B Major | 1 | 1B | 79 BPM | ||
| The Indian Queen, Z. 630, Act II: What Flatt’ring Noise is This | Henry Purcell, The Sixteen, Harry Christophers, Jeremy Budd, Mark Dobell, Matthew Long, Eamonn Dougan | F♯ Minor | 2 | 11A | 108 BPM | ||
| Couperin, L: Suite en fa: IV. Sarabande, G. 74 (Transcr. Pierlot) | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | C Minor | 2 | 5A | 138 BPM | ||
| Alma Redemptoris Mater, H. 44 | Marc-Antoine Charpentier, Sébastien Daucé, Ensemble Corrrespondances, Jordan Mouaïssia, Etienne Bazola | B♭ Major | 2 | 6B | 79 BPM | ||
| Motet: Duo Seraphim | Claudio Monteverdi, Choir Of The Enlightenment, Matthew Long, Nicholas Mulroy, Sam Boden, Robert Howarth, Orchestra of the Age of Enlightenment | E♭ Major | 1 | 5B | 82 BPM | ||
| Missa Circumcisionis, ZWV 11: Sanctus – Pleni sunt caeli – Osanna I | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Václav Luks | A♭ Major | 1 | 4B | 126 BPM | ||
| Messa a 5 Concertata: IV. Kyrie eleison | Giovanni Paolo Colonna, Chœur De Chambre De Namur, Cappella Mediterranea, Leonardo García-Alarcón | E♭ Minor | 1 | 2A | 60 BPM | ||
| Feuillages verts, naissez, H. 449a | Marc-Antoine Charpentier, Gwendoline Blondeel, Quito Gato, Pernelle Marzorati, Mathilde Vialle | F♯ Major | 0 | 2B | 75 BPM | ||
| Die Jahreszeiten, Hob. XXI:3: Der Frühling: 5b. Freudenlied: O wie lieblich ist der Anblick (Terzett und Chor) | Joseph Haydn, Lina Johnson, Tilman Lichdi, Matthias Winckhler, Gottfried van Swieten, Jordi Savall, Le Concert Des Nations | C Major | 3 | 8B | 105 BPM | ||
| Brockes-Passion, HWV 48: Aria "Nehmt Mich Mit, Verzagte Scharen" | George Frideric Handel, Matthew Long, Arcangelo, Jonathan Cohen | A♭ Major | 2 | 4B | 184 BPM | ||
| Rameau : La Guirlande : "La flûte est des soupirs le plus tendre interprète" [Myrtil, Chorus] | Jean-Philippe Rameau, William Christie, Cappella Coloniensis des WDR, Frauke Lukas | E♭ Major | 4 | 5B | 65 BPM | ||
| Jesu, meine Freude, BuxWV 60: VII. Weicht, ihr Trauergeister | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Ensemble Masques, Olivier Fortin | E Minor | 1 | 9A | 82 BPM | ||
| Purcell: Dido and Aeneas, Z. 626, Act 2: "Ruin’d Ere the Set of Sun" - "Ho Ho Ho" (First Witch, Second Witch, Sorceress, Chorus) | Henry Purcell, Maxim Emelyanychev, Alena Dantcheva, Anna Piroli, Beth Taylor, Il Pomo D'oro, Il pomo d'oro Choir | F♯ Minor | 0 | 11A | 172 BPM |