Happy Mondays's ' "Tart Tart" was released on its scheduled release date, January 1, 1987. Tart Tart is explicit and may not be suitable for children. With the duration being about 4:22, this song is close to the average duration of a typical track. There are a total of 10 in the song's album "Squirrel And G-Man Twenty Four Hour Party People Plastic Face Carnt Smile (White Out)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Tart Tart is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Tart Tart by Happy Mondays having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| David Watts | The Jam | A Major | 6 | 11B | 152 BPM | ||
| The Greatness And Perfection Of Love | Julian Cope | G Major | 8 | 9B | 147 BPM | ||
| Shack Up - Electronic Radio Edit | A Certain Ratio, Electronic | B♭ Minor | 8 | 3A | 120 BPM | ||
| Line Up | Elastica | B Minor | 8 | 10A | 111 BPM | ||
| The Trumpton Riots | Half Man Half Biscuit | F Minor | 8 | 4A | 120 BPM | ||
| Star | Primal Scream | A Major | 7 | 11B | 91 BPM | ||
| Sunspots | Julian Cope | A Major | 8 | 11B | 90 BPM | ||
| The Osmonds | Denim | B Minor | 8 | 10A | 163 BPM | ||
| Longsight M13 | Ian Brown | A Major | 7 | 11B | 91 BPM | ||
| Down In The Tube Station At Midnight - Single Version | The Jam | A Minor | 8 | 8A | 173 BPM | ||
| Freaky Dancin' - 2019 Remaster | Happy Mondays | C Major | 8 | 8B | 109 BPM | ||
| Keep the Circle Around | Inspiral Carpets | B♭ Minor | 10 | 3A | 150 BPM | ||
| Perfume | Paris Angels | E Major | 9 | 12B | 132 BPM | ||
| (White Man) in Hammersmith Palais | The Clash | C Major | 9 | 8B | 166 BPM | ||
| Almost Prayed | The Weather Prophets | D Major | 10 | 10B | 130 BPM | ||
| Dolphins Were Monkeys - New Version | Ian Brown | A Major | 9 | 11B | 122 BPM | ||
| Low Life - Studio Version / 2011 Remaster | Public Image Ltd. | F Minor | 7 | 4A | 148 BPM | ||
| Anytime Anyplace Anywhere - 2012 Remaster | Carter The Unstoppable Sex Machine | E Minor | 7 | 9A | 99 BPM | ||
| Def Con One | Pop Will Eat Itself | D Major | 8 | 10B | 118 BPM | ||
| Show Girl | The Auteurs | D Major | 4 | 10B | 143 BPM | ||
| Sheriff Fatman | Carter The Unstoppable Sex Machine | G Major | 6 | 9B | 120 BPM | ||
| National Shite Day | Half Man Half Biscuit | A Minor | 10 | 8A | 118 BPM | ||
| Telephone Thing | The Fall | G Major | 8 | 9B | 110 BPM | ||
| Going Up | Echo & the Bunnymen | A Major | 5 | 11B | 134 BPM | ||
| No Go (For Louis Macneice) | The Cleaners From Venus | D Minor | 6 | 7A | 136 BPM |