Michael Hurd, John Addison, New London Children's Choir, The New London Orchestra, Ronald Corp's ' "Captain Coram!" was released on its scheduled release date, February 1, 2011. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Captain Coram!'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Michael Hurd, Ronald Corp's "Hurd: Pop Cantatas" album is number 36 out of 36. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Captain Coram! is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Captain Coram! by Michael Hurd, John Addison, New London Children's Choir, The New London Orchestra, Ronald Corp to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 1/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lord Peter's Stable-Boy | Percy Grainger, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 78 BPM | ||
| Violin Concerto No. 2 in D Minor, Op. 22: II. Romance | Henryk Wieniawski, Joshua Bell, The Cleveland Orchestra, Vladimir Ashkenazy | D Major | 1 | 10B | 166 BPM | ||
| Après un rêve | Gabriel Fauré, Charlie Siem, Paul Goodwin | G Minor | 1 | 6A | 97 BPM | ||
| Dolly Suite, Op. 56 (arr. H. Rabaud): III. Le Jardin de Dolly | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E Major | 0 | 12B | 64 BPM | ||
| Meditative Flow | Rylandiaa | G Major | 2 | 9B | 136 BPM | ||
| Ladies in Lavender | Nigel Hess, Sergeant Neslihan Jordan, Cpl Neslihan Jordan, Central Band Of The Royal Air Force | D Major | 1 | 10B | 62 BPM | ||
| Suite pastorale: I. Idylle | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 0 | 7B | 105 BPM | ||
| Virgo Virginum | Kim André Arnesen, Haderslev Domkirkes Pigekor, Sønderjyllands Symfoniorkester, Thomas Berg-Juul | E Minor | 3 | 9A | 93 BPM | ||
| Dances: No. 2, Passacaglia | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | F Major | 1 | 7B | 83 BPM | ||
| Michael Hurd : Sinfonia Concertante : Allegro Moderato | Michael Hurd, Ara Malikian | A Minor | 3 | 8A | 83 BPM | ||
| Viel Lärmen um Nichts, Op. 11, Act III Scene 1: Intermezzo | Erich Wolfgang Korngold, Holst Sinfonietta, Klaus Simon | C Major | 0 | 8B | 96 BPM | ||
| A Moment of Reflection | Diego Baldenweg, Nora Baldenweg, Lionel Baldenweg, David Zinman, Tonhalle-Orchester Zürich | C Major | 4 | 8B | 94 BPM | ||
| Nocturne from String Quartet No. 2 | Alexander Borodin, Klaus Arp, Sinfonie Orchester Des Sudwestfunks Baden-Baden | A Major | 1 | 11B | 82 BPM | ||
| Handel: Israel in Egypt, HWV 54: Overture. Lamentations of the Israelites for the Death of Joseph | George Frideric Handel, John Eliot Gardiner, Monteverdi Orchestra | G Minor | 0 | 6A | 79 BPM | ||
| Albinoni / Giazotto: The Beatitudes (Adagio) | Remo Giazotto, Tomaso Albinoni, Edward Higginbottom, Choir of New College, Oxford, Capricorn | C Minor | 2 | 5A | 95 BPM | ||
| Candide, Act I: Glitter and Be Gay | Leonard Bernstein, Simone Kermes, Warsaw Chamber Opera Orchestra, Julien Salemkour | F Major | 1 | 7B | 83 BPM | ||
| Onegin's Toast (from "Onegin") | Georgiy Zheryakov, Baltic Symphony Orchestra | A Minor | 2 | 8A | 82 BPM | ||
| Florida Suite: II. By the River | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | G Major | 0 | 9B | 68 BPM | ||
| A Village Romeo and Juliet: The Walk to the Paradise Garden | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 70 BPM | ||
| A Sea Symphony: II. On the Beach at Night Alone (Largo sostenuto) | Ralph Vaughan Williams, Hallé, Sir Mark Elder | G Minor | 0 | 6A | 84 BPM | ||
| Wagner: Lohengrin, WWV 75, Act 1: Prelude (Langsam) | Richard Wagner, Sir Adrian Boult, New Philharmonia Orchestra | A Major | 1 | 11B | 67 BPM | ||
| Le Dernier Sommeil De La Vierge | Jules Massenet, Dave Loew | G Major | 2 | 9B | 118 BPM | ||
| La bohème: Finale. Death of Mimi | Giacomo Puccini, Andre Kostelanetz, Andre Kostelanetz & His Orchestra, André Kostelanetz Orchestra | A♭ Major | 5 | 4B | 174 BPM | ||
| Genesis | Michael Hurd, Vasari Singers, Jeremy Backhouse | F Major | 1 | 7B | 107 BPM | ||
| Praise Ye the Lord | Michael Hurd, Vasari Singers, Martin Ford, Jeremy Backhouse | C Major | 3 | 8B | 72 BPM |