"Double Concerto for Violin and Cello: IV. Staying on Alone" by Ned Rorem, Jaime Laredo, Sharon Robinson, IRIS Orchestra, Michael Stern had its release date on December 12, 2006. With This song being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Rorem: Double Concerto / After Reading Shakespeare". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Hong Kong. Double Concerto for Violin and Cello: IV. Staying on Alone is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Double Concerto for Violin and Cello: IV. Staying on Alone by Ned Rorem, Jaime Laredo, Sharon Robinson, IRIS Orchestra, Michael Stern having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Much Ado about Nothing Suite, Op. 11: IV. Intermezzo (Garden Scene) | Erich Wolfgang Korngold, Mineria Symphony Orchestra, Carlos Miguel Prieto | C Major | 0 | 8B | 108 BPM | ||
| Ciudadano Sombra: II. - Live Concert | Ramón Paus, Pablo Martos, Yuval Gotlibovich, Alberto Martos | G Major | 1 | 9B | 94 BPM | ||
| Hartke: Netsuke "6 Movements for Violin and Piano": No. 6, Jewel of Widsom with Mountain Pavilions | Stephen Hartke, Augustin Hadelich, Orion Weiss | D Major | 2 | 10B | 104 BPM | ||
| Love's Labour's Lost, Op. 28: 2. Soliloquy 2: Did not the heavenly rhetoric of thine eye - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | F Major | 0 | 7B | 72 BPM | ||
| Trio (Lamento), for Oud, Viola and Piano: IV. Un Poco Piu Mosso | Menachem Wiesenberg, Yuval Gotlibovich, Taiseer Elias | G Major | 1 | 9B | 87 BPM | ||
| Suite for Two Pianos, Op. 6: II. Andantino con moto | Charles Koechlin, Tal & Groethuysen | F Minor | 0 | 4A | 192 BPM | ||
| Winterreise, Op. 89, D. 911: No. 6, Wasserflut | Franz Schubert, Peter Mattei, Lars David Nilsson | D Minor | 0 | 7A | 96 BPM | ||
| Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | C Major | 0 | 8B | 77 BPM | ||
| Serenade, H. 23 (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | ||
| An die Musik, D. 547 (transcribed for cello and piano by Thedéen & Shirinyan) | Franz Schubert, Marianna Shirinyan, Torleif Thedéen | D Major | 0 | 10B | 132 BPM | ||
| Rorem : "Early in the morning" | Ned Rorem, Susan Graham | C Minor | 0 | 5A | 72 BPM | ||
| Piano Concerto No. 2: III. Real Fast! | Simon Mulligan, Royal Scottish National Orchestra, Joee, Ned Rorem | D Minor | 0 | 7A | 85 BPM | ||
| Symphony No. 3: Passacaglia | Bournemouth Symphony Orchestra, Ned Rorem | D Minor | 1 | 7A | 111 BPM | ||
| Clarinet Concertino: II. Toada. Andantino non troppo | Francisco Mignone, Ovanir Buosi, Orquestra Sinfônica do Estado de São Paulo, Giancarlo Guerrero | C Major | 2 | 8B | 144 BPM | ||
| Hymne (No. 8) | G. I. Gurdjieff, Thomas de Hartmann, Dietrich Bethge, Corinne Cordier, Herbert Lashner | F Minor | 0 | 4A | 139 BPM | ||
| Quatuor pour la fin du Temps: V. Louange à l’Éternité de Jésus | Olivier Messiaen, Louise Bessette, Cameron Crozman | C Major | 0 | 8B | 77 BPM | ||
| 3 Romances, Op. 22: 2. Allegretto | Clara Schumann, Elena Urioste, Isata Kanneh-Mason | G Major | 0 | 9B | 116 BPM | ||
| Symphony No. 5 in A Minor, Op. 90 "Sinfonia brevis": III. Intermezzo | Erkki Melartin, Turku Philharmonic Orchestra, Ari Rasilainen | E Minor | 2 | 9A | 134 BPM | ||
| Dutilleux: Au gré des ondes: I. Prélude en berceuse | Henri Dutilleux, Anne Queffélec | C Major | 0 | 8B | 75 BPM | ||
| Sonata Santera: III. Bembe | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Concertino for Viola and Chamber Orchestra: II. Andante Espressivo | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A♭ Minor | 1 | 1A | 80 BPM | ||
| Preliudas in F Major / A Minor, MKČ 437 | Mikalojus Konstantinas Čiurlionis, Onutė Gražinytė | A Minor | 0 | 8A | 85 BPM | ||
| Si mes vers avaient des ailes (If my songs were only winged) [arr. J. Lloyd Webber for 2 cellos and piano] | Reynaldo Hahn, Julian Lloyd Webber, Jiaxin Lloyd Webber, John Lenehan | E♭ Major | 1 | 5B | 68 BPM | ||
| Concerto for English Horn and Orchestra: I. Preamble and Amble | Ned Rorem, Thomas Stacy, Michael Palmer, Rochester Philharmonic Orchestra | G Major | 1 | 9B | 103 BPM | ||
| 5 Stücke im Volkston, Op. 102 (Arr. for Oboe & Piano by Stephan Korody-Kreutzer): No. 2, Langsam | Robert Schumann, Nicholas Daniel, Julius Drake | F Major | 0 | 7B | 65 BPM |