Russ Morgan and His Orchestra's 'So Long' had a release date set for December 12, 1966. The duration of This song is about 3 minutes long, at 3:23. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Russ Morgan and His Orchestra's "Music in the Morgan Manner" album is number 24 out of 24. In terms of popularity, So Long is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of So Long by Russ Morgan and His Orchestra to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| If I Could Be with You (One Hour Tonight) | Kay Starr | B♭ Major | 3 | 6B | 85 BPM | ||
| Ramona | Gene Austin | D Major | 0 | 10B | 95 BPM | ||
| Picnic for Two | Frank Tapp | G Minor | 2 | 6A | 83 BPM | ||
| After I Say I'm Sorry | Eddie Fisher | B♭ Major | 3 | 6B | 85 BPM | ||
| Whispering - Alternate Take | Paul Whiteman & His Orchestra | B♭ Major | 3 | 6B | 85 BPM | ||
| Waterlilies in the Moonlight (Digitally Remastered) | Maurice Winnick | B♭ Major | 2 | 6B | 69 BPM | ||
| True Confession | Larry Clinton, Bea Wain | B♭ Major | 3 | 6B | 85 BPM | ||
| Jazzy Interlude | Billy Munn | E♭ Major | 5 | 5B | 97 BPM | ||
| A You're Adorable | Jimmy Dorsey, Paul Weston | B♭ Major | 3 | 6B | 85 BPM | ||
| Remember | Larry Clinton | B♭ Major | 3 | 6B | 85 BPM | ||
| Midnight, the Stars and You | Al Bowlly, Ray Noble & His Orchestra | D Minor | 2 | 7A | 138 BPM | ||
| The Camera Doesn`t Lie | Buddy Clark | E♭ Major | 2 | 5B | 92 BPM | ||
| Isn't it Heavenly | Lew Stone & His Band, Al Bowlly | B♭ Major | 3 | 6B | 85 BPM | ||
| Button Up Your Overcoat | Helen Kane | B♭ Major | 3 | 6B | 85 BPM | ||
| A window's long lost reflection | Zephaniah | B♭ Minor | 2 | 3A | 98 BPM | ||
| Freckle Face, You're Beautiful | Ray Noble & His Orchestra | B♭ Major | 3 | 6B | 164 BPM | ||
| Romantic Evening | Gareth Hughes | D Minor | 5 | 7A | 83 BPM | ||
| Let's Put Out the Lights | Rudy Vallee and His Connecticut Yankees | B♭ Major | 3 | 6B | 85 BPM | ||
| Tea for Two | Marion Harris | B♭ Major | 3 | 6B | 85 BPM | ||
| My Blue Heaven | Layton and Johnstone | A♭ Major | 1 | 4B | 95 BPM | ||
| Makin' Whoopee | Eddie Cantor | B♭ Major | 3 | 6B | 85 BPM | ||
| Cruising Down the River | Frankie Carle, His Orchestra, voc. Marjorie Hughes | B♭ Major | 3 | 6B | 85 BPM | ||
| Cruising Down the River | Russ Morgan and His Orchestra | A Major | 4 | 11B | 99 BPM | ||
| The Boogie Man (with Chick Bullock) | Todd Rollins & His Orchestra, Chick Bullock | E Major | 6 | 12B | 153 BPM | ||
| Black And Blue | Frankie Laine | A Minor | 3 | 8A | 96 BPM |