"You Come Down" by Marika Hackman had its release date on February 25, 2013. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. You Come Down's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 7 in the song's album "That Iron Taste". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, You Come Down is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With You Come Down by Marika Hackman having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Come What May | The Last Bison | A Minor | 3 | 8A | 74 BPM | ||
| Devil's Spoke | Laura Marling | D Major | 6 | 10B | 118 BPM | ||
| Evening On the Ground (Lilith's Song) | Iron & Wine | B Minor | 8 | 10A | 98 BPM | ||
| Patsy Cline | Dark Dark Dark | E♭ Major | 2 | 5B | 140 BPM | ||
| If I Don't Have To | Keaton Henson | E♭ Minor | 3 | 2A | 144 BPM | ||
| The Hand | Dark Dark Dark | C Major | 3 | 8B | 144 BPM | ||
| Vessel | Dry the River | F♯ Major | 4 | 2B | 125 BPM | ||
| Crimson | Skott | D♭ Minor | 4 | 12A | 155 BPM | ||
| Vampire Weeknight | Jenny Owen Youngs | C Minor | 4 | 5A | 179 BPM | ||
| Blood | Marika Hackman | C Minor | 3 | 5A | 104 BPM | ||
| Counting Paths | Matthew And The Atlas | G Major | 5 | 9B | 110 BPM | ||
| Sepulchre | Wickerbird | A♭ Minor | 1 | 1A | 94 BPM | ||
| The Meetings of the Waters | Fionn Regan | B Major | 4 | 1B | 105 BPM | ||
| Strange Moon Rising | Smoke Fairies | D Minor | 4 | 7A | 148 BPM | ||
| In for the Kill | Billie Marten | B♭ Major | 3 | 6B | 128 BPM | ||
| Drifting on a Summer's Night | The Deep Dark Woods | D Major | 5 | 10B | 78 BPM | ||
| Muddy Water | Lucette | D Minor | 5 | 7A | 80 BPM | ||
| The Devil's Tongue | Mirel Wagner | B♭ Major | 2 | 6B | 107 BPM | ||
| The Black Oak | Emily Jane White | C Major | 2 | 8B | 180 BPM | ||
| The Captain And The Hourglass | Laura Marling | E♭ Major | 6 | 5B | 109 BPM | ||
| True Colors | Johanna Warren | C Minor | 3 | 5A | 120 BPM | ||
| Golden Star | My Brightest Diamond | F♯ Minor | 4 | 11A | 136 BPM | ||
| A Drive Through the Countryside | Lowland Hum | F Major | 3 | 7B | 96 BPM | ||
| Maker of My Sorrow | Eliza Rickman | B Minor | 7 | 10A | 74 BPM | ||
| Entity | Emily Jane White | F Minor | 2 | 4A | 120 BPM |