On January 1, 1991, the song "Raptrak" was released by Steve Everitt. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 17 out of 25 in Chart Show 2 by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Raptrak is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Raptrak by Steve Everitt is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Opaque | Steve Everitt, Hypersonic Music | F Major | 8 | 7B | 80 BPM | ||
| Pendragon | James Paget | B♭ Minor | 7 | 3A | 111 BPM | ||
| Alpha | Hi-Finesse | C Major | 7 | 8B | 75 BPM | ||
| Glitter Balls | Power-Haus, TOM-E | D Major | 9 | 10B | 130 BPM | ||
| Empire Collapse | Cold Cinema | A Minor | 3 | 8A | 95 BPM | ||
| Hail Mary | Edgar Hopp | A♭ Minor | 6 | 1A | 116 BPM | ||
| Night Invasion | Steve Everitt, Robin Everitt | A♭ Major | 5 | 4B | 134 BPM | ||
| Warborn | Florews | A Minor | 9 | 8A | 110 BPM | ||
| Eye of the Storm | Aaron Albert Srdoc, Scott Goodman | D Major | 5 | 10B | 170 BPM | ||
| How It Ends | Atli Örvarsson | A♭ Major | 7 | 4B | 112 BPM | ||
| Coyote Ugly | David Chappell | D Major | 4 | 10B | 170 BPM | ||
| The Race | Diego Baldenweg, Nora Baldenweg, Lionel Baldenweg, Cécile Grüebler | G Major | 4 | 9B | 180 BPM | ||
| All Consumed | Adam Salkeld, Neil Pollard | B♭ Minor | 6 | 3A | 110 BPM | ||
| Fighting for Truth | Dan Thiessen | D Major | 3 | 10B | 112 BPM | ||
| Drone Hunting | FormantX | D Major | 9 | 10B | 140 BPM | ||
| Dystopia | Dystopian Voyager | A♭ Major | 8 | 4B | 100 BPM | ||
| Hordes | Jo Wandrini | D♭ Major | 6 | 3B | 134 BPM | ||
| A Historic Reckoning | Rubric, Kyle Preston | B Major | 0 | 1B | 70 BPM | ||
| Uppercut | Steve Everitt | B Major | 9 | 1B | 92 BPM | ||
| Silent Symphony | Phase Drift | E Minor | 5 | 9A | 78 BPM | ||
| Fear the Lion | Cavid Babayev, Constalanta | B♭ Major | 3 | 6B | 100 BPM | ||
| Turning Point | Generdyn | F Minor | 5 | 4A | 100 BPM | ||
| Surrender By Fire | Hidden Citizens | G Major | 4 | 9B | 75 BPM | ||
| Lost the Moment | Or Chausha | F♯ Minor | 6 | 11A | 126 BPM | ||
| Call Me 80s | Michael Maas | F Minor | 10 | 4A | 120 BPM |