Koshinder Rishipal's ' "Heere Jane Wali Ruk Jaiye Jara" was released on its scheduled release date, July 22, 2021. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Heere Jane Wali Ruk Jaiye Jara and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. Based on our statistics, Heere Jane Wali Ruk Jaiye Jara's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Heere Jane Wali Ruk Jaiye Jara by Koshinder Rishipal to be Allegro (fast, quick, and bright) because the track has a tempo of 149 BPM, a half-time of 74BPM, and a double-time of 298 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Man Ho Rao Sasre Aabe Ko Lokgeet | Soniya Studio, Mohan Kushwaha Arvindra | G Major | 9 | 9B | 148 BPM | ||
| Shree Mad Bhagwat Katha | Surjan Chaitanye | G Major | 10 | 9B | 117 BPM | ||
| Ek Taraf Yaar Ek Taraf Pyaar | Mukesh Fouji | G Major | 9 | 9B | 80 BPM | ||
| Ab Meri Bhan Pavansut Tuti | Surjan chaitanya | A♭ Minor | 6 | 1A | 121 BPM | ||
| Mere Pyaar Ko Bhula Toh Na Doge | Guddi Gilhari | F♯ Minor | 8 | 11A | 129 BPM | ||
| Charkhe Ki Dori Tut Gai | Rammehar Mehla | D♭ Major | 9 | 3B | 134 BPM | ||
| Teri Hik Te Diva | Jyoti Gill | E♭ Minor | 9 | 2A | 166 BPM | ||
| Kaha Gaya Chhora Part 6 | Koshinder Rishipal | F♯ Major | 6 | 2B | 78 BPM | ||
| Bala Ji Teri Lai Kai Be Darkhas | Mukesh Sharma | B Major | 9 | 1B | 79 BPM | ||
| Radhe Teri Chundri Sitaro Jadi | Upendra Rana, Kajal Tomar | E♭ Minor | 9 | 2A | 105 BPM | ||
| Jija Gao Me Thare Aayi | Komal Bhati, Manindar Babbu | B Minor | 9 | 10A | 101 BPM | ||
| Tere Shehar Me Aaya Sanwariya Apna Bana Le Mujhe | Ladu Puri | A♭ Major | 8 | 4B | 135 BPM | ||
| Mere Chobare mein | Mukesh Fouji | E Major | 10 | 12B | 125 BPM | ||
| Ghunghat Ki Oat | Rajbala Bahadurgarh, Nardev Banival | F♯ Minor | 9 | 11A | 99 BPM | ||
| Koi Maane Ya Na Maane | Santram Banjara | F♯ Major | 7 | 2B | 111 BPM | ||
| गरीब नवाज़ क़व्वाली || Pade Jina Tere Bin Jo Khwaja | Sadakat Sabri, Deewana Enterprises | D♭ Minor | 7 | 12A | 78 BPM | ||
| Photo Dhaile Bani | Rakesh Tiwari | E♭ Minor | 9 | 2A | 150 BPM | ||
| Bhavna Me Kalka Kud Padi | Parveen Chawariya | B Minor | 9 | 10A | 130 BPM | ||
| Tanak Tanak Pahchane Na Raja Karo Bahane | JaiSingh Raja, Rani Kushwaha | F♯ Major | 8 | 2B | 138 BPM | ||
| Aisi Car Kasuti Kar Gaya | Harendra Nagar, Satpal Dosa | B♭ Major | 9 | 6B | 121 BPM | ||
| Mat Ched Balam Mere Chundad Ne | Dolly Sharma | B♭ Minor | 10 | 3A | 122 BPM | ||
| Ek Naari Kath Ki Kori | Naresh Gurjar | D Minor | 8 | 7A | 125 BPM | ||
| Dimpal Yadav Jeet Gayi | Solanki Samajwadi | F Minor | 9 | 4A | 98 BPM | ||
| Jaisa Beej Karam Ka Boya | Arpit Rathi | D♭ Major | 9 | 3B | 136 BPM | ||
| Sisha Jaise Najuk Dil Tod Gayi | Tahir Chishti | A♭ Minor | 8 | 1A | 140 BPM |