- BPM
- 86
- Key
- C Major
- Camelot
- 8B
Three Romances, Op. 32: II. Tranquillo e teneramente by Julius Röntgen, Mark Anderson Song Details
"Three Romances, Op. 32: II. Tranquillo e teneramente" by Julius Röntgen, Mark Anderson had its release date on February 1, 2015. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "Röntgen: Piano Music Volume 1". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. Three Romances, Op. 32: II. Tranquillo e teneramente is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Three Romances, Op. 32: II. Tranquillo e teneramente by Julius Röntgen, Mark Anderson having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
Music Key
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -19.056 dB
- Acousticness
- 99%
- Danceability
- 25%
- Energy
- 25%
- Instrumentalness
- 86%
- Liveness
- 13%
- Loudness
- 68%
- Speechiness
- 4%
- Valence
- 12%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Bizet: Petite suite des "Jeux d'enfants", Op. 22, WD 39: V. Galop "Le bal" | Georges Bizet, Alexander Gibson, Scottish National Orchestra | A Major | 4 | 11B | 175 BPM | |
 | Digital Aurora | Lumi Risto | C Minor | 8 | 5A | 112 BPM | |
 | David Popper Tarantelle Op.33 | Josef Karlicek, Petr Karlicek | A♭ Major | 1 | 4B | 65 BPM | |
 | Valse de Concert Nr. 1 in D Major, Op. 47: Allegro | Alexander Glazunov, Beethoven Orchester Bonn, Stefan Blunier | G Minor | 2 | 6A | 174 BPM | |
 | Violin Concerto No. 1 in G minor, Op. 26: II. Adagio | Max Bruch, Niek Baar, Deutsche Radio Philharmonie, Christoph Poppen | E♭ Major | 1 | 5B | 112 BPM | |
 | Reflection No. 2 | Camille Thomas, Julien Brocal | A♭ Major | 1 | 4B | 65 BPM | |
 | Piano Trio No. 6 in C Minor, Op. 50: III. Allegro non troppo | Julius Röntgen, Storioni Trio | A Minor | 0 | 8A | 57 BPM | |
 | Piano Concerto in A Minor, Op. 7: II. Romanze. Andante non troppo con grazia – | Clara Schumann, Tasmanian Symphony Orchestra, Howard Shelley | F Major | 0 | 7B | 72 BPM | |
 | 5 Salonstücke, Op. 28: No. 4, Romanze (Arr. Isserlis for Cello & Piano) | Ferdinand David, Steven Isserlis, Connie Shih | A♭ Major | 1 | 4B | 65 BPM | |
 | Schubert / Arr. Kreisler: Ballet Music (From Rosamunde, Op. 26, D. 797) | Franz Schubert, Vilde Frang | G Major | 1 | 9B | 86 BPM | |
 | Symphony No. 1 in E Major, Op. 26: I. Lento | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | |
 | Concertstück in F Major, Op. 86: II. Romanze. Ziemlich langsam | Robert Schumann, Robert Bonnevie, Mark Robbins, David C. Knapp, Scott Wilson, Seattle Symphony Orchestra, Gerard Schwarz | B♭ Major | 0 | 6B | 60 BPM | |
 | Du bist wie eine Blume, Op. 25/24 | Nils Mönkemeyer | A♭ Major | 0 | 4B | 82 BPM | |
 | Haydn, M: Divertimento in E-Flat Major, MH 9: I. Adagio con variazioni | Michael Haydn, Rodney Slatford, Kenneth Heath, Stephen Shingles | D Major | 1 | 10B | 108 BPM | |
 | Waldszenen, Op. 82: No. 9, Abschied (Transcr. Soltani for Cello and Piano) | Robert Schumann, Kian Soltani, Julien Quentin | E♭ Minor | 2 | 2A | 81 BPM | |
 | Symphony No. 1 in C Minor: III. Allegro vivace | Emilie Mayer, NDR Radiophilharmonie, Leo McFall | D♭ Major | 0 | 3B | 81 BPM | |
 | Violin Concerto: IIIc. Var. 2, Poco lamentoso | Vernon Duke, Chloë Hanslip, Singapore Symphony Orchestra, Andrew Litton | D Minor | 1 | 7A | 89 BPM | |
 | Bartók: Romanian Folk Dances, Sz. 56: No. 4, Horn Dance (Transcr. Strauss & Rizikov for Cello and Piano) | Béla Bartók, Lisa Strauss, Anastasia Rizikov | F Major | 0 | 7B | 97 BPM | |
 | Phantasie: III. Lento | Julius Röntgen, Atsuko Sahara | E Major | 0 | 12B | 135 BPM | |
 | Schwedische Weisen und Tänze, Op. 6 (Arr. for Nyckelharpa and Piano Trio by Trio Ernest and Éléonore Billy): No. 3, Andante | Amanda Maier, Julius Röntgen, Trio Ernest, Éléonore Billy | A♭ Major | 1 | 4B | 65 BPM | |
 | Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVI. Allegretto | Sergei Rachmaninoff, Cecile Ousset, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | C Major | 2 | 8B | 106 BPM | |
 | 6 Romances russes: No. 6 in D Minor (After A. Dargomyzhsky) | Adolf von Henselt, Sergio Gallo | D♭ Major | 1 | 3B | 71 BPM | |
 | String Quartet No. 12 in G-Sharp Minor: I. Andante sostenuto | Julius Röntgen, The Zilliacus Quartet, Cecilia Zilliacus, Julia-Maria Kretz, Ylvali McTigert Zilliacus, Kati Raitinen | F Major | 1 | 7B | 134 BPM | |
| Symphony No. 1 in E Major, Op. 26: III. Lento | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | |
 | Roussel: String Trio, Op. 58: II. Adagio | Albert Roussel, Trio à cordes de Paris | A♭ Major | 1 | 4B | 65 BPM |
- ISRC
- GBAJU1500084
- Label
- L-M Records/RCA Records