"Johannes Brahms: Piano Quartet In G Minor, Opus 25, Excerpt" by Don Davis had its release date on January 1, 1999. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Johannes Brahms: Piano Quartet In G Minor, Opus 25, Excerpt's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Don Davis's "House On Haunted Hill (Original Motion Picture Score)" album is number 5 out of 25. In terms of popularity, Johannes Brahms: Piano Quartet In G Minor, Opus 25, Excerpt is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Johannes Brahms: Piano Quartet In G Minor, Opus 25, Excerpt by Don Davis to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Bourne Identity Main Title | John Powell | G Major | 4 | 9B | 81 BPM | ||
| Full Attack | Steve Jablonsky | D Major | 5 | 10B | 138 BPM | ||
| Stargate Sg-1: End Credits | Original Soundtrack | G Major | 4 | 9B | 138 BPM | ||
| Welcome To The Real World | Don Davis | C Minor | 0 | 5A | 142 BPM | ||
| Unable To Speak | Don Davis | A♭ Major | 8 | 4B | 107 BPM | ||
| Suite from "Batman Forever": Batterdämmerung (Arr. D. Snyder) | Elliot Goldenthal, David Snyder, Cincinnati Pops Orchestra, Erich Kunzel | A♭ Major | 3 | 4B | 85 BPM | ||
| To Victory | Tyler Bates | D♭ Major | 9 | 3B | 140 BPM | ||
| Shawshank Prison - Stoic Theme | Thomas Newman | G Minor | 1 | 6A | 81 BPM | ||
| The Dark Knight Triumphant / End Titles | Christopher Drake | A Major | 3 | 11B | 101 BPM | ||
| Star Trek Generations Overture | Dennis McCarthy | E♭ Major | 2 | 5B | 169 BPM | ||
| Assassins | Christopher Drake | D Major | 6 | 10B | 140 BPM | ||
| Terraforming Bay | Jed Kurzel | G Major | 5 | 9B | 88 BPM | ||
| Temple of the Ancients - FF7 Rebirth OST Ver. | 牧野 忠義, 植松 伸夫 | E Minor | 3 | 9A | 120 BPM | ||
| A Planet | Marc Streitenfeld | B Minor | 2 | 10A | 166 BPM | ||
| Gotham City Overture | Shirley Walker | F Minor | 3 | 4A | 82 BPM | ||
| Bait And Switch | Don Davis | D♭ Minor | 1 | 12A | 81 BPM | ||
| Mega City One | Paul Leonard-Morgan | G Major | 4 | 9B | 100 BPM | ||
| Bigfoot | Carter Burwell, Don Davis | D Major | 1 | 10B | 67 BPM | ||
| First Encounter | Jóhann Jóhannsson | G Major | 0 | 9B | 58 BPM | ||
| The Last Starfighter: Main Title | Craig Safan | E♭ Major | 3 | 5B | 114 BPM | ||
| The Battle For Peace - Star Trek VI/Soundtrack Version | Cliff Eidelman | A♭ Major | 1 | 4B | 80 BPM | ||
| Imhotep - From “The Mummy” Soundtrack | Jerry Goldsmith | A♭ Major | 1 | 4B | 63 BPM | ||
| Ghost Rider | Christopher Young | A Minor | 3 | 8A | 75 BPM | ||
| Alien vs. Predator Main Theme | Harald Kloser | B♭ Major | 4 | 6B | 82 BPM | ||
| You Can't Hide From Hades | Ramin Djawadi | F Major | 2 | 7B | 112 BPM |