Swan Lake, Op. 20, Pt. 2: I. Scène. Swan Theme (Moderato) by Pyotr Ilyich Tchaikovsky, Royal Philharmonic Orchestra, Nicolae Moldoveanu Song Details

"Swan Lake, Op. 20, Pt. 2: I. Scène. Swan Theme (Moderato)" by Pyotr Ilyich Tchaikovsky, Royal Philharmonic Orchestra, Nicolae Moldoveanu had its release date on 2010. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 108 in the song's album "Tchaikovsky: Complete Ballets". In this album, this song's track order is #19. Furthermore, we believe that the track originated from Netherlands. The popularity of Swan Lake, Op. 20, Pt. 2: I. Scène. Swan Theme (Moderato) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Swan Lake, Op. 20, Pt. 2: I. Scène. Swan Theme (Moderato) by Pyotr Ilyich Tchaikovsky, Royal Philharmonic Orchestra, Nicolae Moldoveanu having a BPM of 171 with a half-time of 86 BPM and a double-time of 342 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.

Music Key

This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 6%
Loudness: -20.089 dB
Acousticness: 93%
Danceability: 16%
Energy: 7%
Instrumentalness: 91%
Liveness: 11%
Loudness: 67%
Speechiness: 4%
Valence: 6%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
The Planets, Op. 32: I. Mars, the Bringer of War	Gustav Holst, Berliner Philharmoniker, Herbert von Karajan	A♭ Major	5	4B	149 BPM
The Snow Maiden, Op. 12: XIII. Dance Of The Tumblers	Moscow Symphony Orchestra, Elena Okolysheva, Arkady Mishenkin, Moscow Capella, Pyotr Ilyich Tchaikovsky	A Major	3	11B	176 BPM
Danse macabre, Op. 40	Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist	G Minor	1	6A	102 BPM
Serenade for String Orchestra in C Major, Op. 48, TH 48: I. Pezzo in forma di sonatina	Pyotr Ilyich Tchaikovsky, The Russian Virtuosi of Europe, Yuri Zhislin	C Major	2	8B	125 BPM
Giselle, Act 2: No. 18 Giselle and Albrecht Pas de deux	Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon	A♭ Major	1	4B	129 BPM
Prokofiev: 10 Pieces from Romeo & Juliet, Op. 75: VI. Montagues and Capulets	Sergei Prokofiev, Nikolai Lugansky	F Major	0	7B	90 BPM
Polonaise in A-Flat Major, Op. 53	Frédéric Chopin, Evgeny Kissin	A♭ Major	3	4B	85 BPM
Also sprach Zarathustra, Op.30, TrV 176: Prelude (Sonnenaufgang)	Richard Strauss, Berliner Philharmoniker, Herbert von Karajan	C Major	3	8B	72 BPM
Polovetsian Dances from Prince Igor: Introduzione	Alexander Borodin, George Szell, The Cleveland Orchestra	A Major	1	11B	83 BPM
Wiener Blut, Op. 354	Johann Strauss II, Vienna Volksoper Orchestra, Franz Bauer-Theussl	D Major	2	10B	93 BPM
Samson et Dalila: Bacchanale	Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist	D Minor	1	7A	122 BPM
Thaïs: Méditation	Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero	D Major	0	10B	84 BPM
Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: I. Waltz	Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons	E♭ Major	0	5B	81 BPM
Les Sylphides: 7. Valse	Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge	D♭ Minor	1	12A	120 BPM
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano)	Sergei Rachmaninoff, Sergei Babayan	A♭ Major	0	4B	78 BPM
Piano Concerto No. 2 in F Major, Op. 102: II. Andante	Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich	C Minor	0	5A	177 BPM
Stolze & Tchaikovsky: Onegin: Opening Scene - Dance of the Young Girls (After Eugen Onegin, Op. 24)	Kurt-Heinz Stolze, Pyotr Ilyich Tchaikovsky, John Lanchbery, Sydney Symphony Orchestra	E♭ Major	0	5B	118 BPM
Midsummer Night's Dream, Op. 61: No. 9, Wedding March	Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa	C Major	2	8B	74 BPM
Scènes de ballet, Op. 52: II. Marionnettes	Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov	D Major	0	10B	69 BPM
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957)	Franz Schubert, Franz Liszt, Khatia Buniatishvili	D Major	0	10B	67 BPM
Lyric Pieces, Book 5, Op. 54: Nocturne	Edvard Grieg, Alessio Bax	C Major	0	8B	72 BPM
Strauss: Radetzky March, Op. 228	Johann Strauss I, Hallé, Bramwell Tovey	A Major	4	11B	122 BPM
Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante	Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek	D Major	0	10B	114 BPM
Paquita: Variation 6: Andante	Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov	A Major	1	11B	165 BPM
Scheherazade: The Young Prince	Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim	G Major	1	9B	91 BPM