"Kill the Light" by múm had its release date on September 19, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in múm's "History of Silence" album is number 2 out of 8. On top of that, Germany appears to be the country where this track was created. Kill the Light is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kill the Light by múm to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| R&B - Max Cooper Remix | English Teacher, Max Cooper | C Major | 4 | 8B | 137 BPM | ||
| Oracle | Lyra Pramuk | E♭ Minor | 4 | 2A | 135 BPM | ||
| In Keeping (Soon We'll Be Dust) | Daniel Avery, Walter Schreifels | D Major | 6 | 10B | 96 BPM | ||
| Maybe When I'm Ready | Miya Folick | D♭ Major | 4 | 3B | 124 BPM | ||
| Past It | Keaton Henson | D Major | 4 | 10B | 86 BPM | ||
| A Title Comes | Tortoise | B Minor | 3 | 10A | 120 BPM | ||
| Insomnia | Keaton Henson | D Major | 7 | 10B | 93 BPM | ||
| Oh, To Be | Loupe | B Major | 5 | 1B | 181 BPM | ||
| Axial Seamount | Tortoise | A♭ Major | 5 | 4B | 108 BPM | ||
| Anchorage | S. Carey | F♯ Minor | 8 | 11A | 132 BPM | ||
| Struggle with the Beast | Anna von Hausswolff | A Minor | 8 | 8A | 103 BPM | ||
| I See Your Pain | Jehnny Beth | E Minor | 4 | 9A | 134 BPM | ||
| i was only | Julia-Sophie | C Major | 5 | 8B | 116 BPM | ||
| A Walk | Steve Gunn | G Major | 2 | 9B | 120 BPM | ||
| To be a rose | Jenny Hval | G Major | 5 | 9B | 156 BPM | ||
| It's a Casino Life | The Apartments, Peter Milton Walsh | A Major | 4 | 11B | 153 BPM | ||
| agüita con sal | Lucrecia Dalt | D Major | 3 | 10B | 78 BPM | ||
| Chapter One | Maps | C Minor | 4 | 5A | 85 BPM | ||
| It Eats Itself | Jennifer Walton | B Major | 2 | 1B | 92 BPM | ||
| Some Days | Marta Del Grandi, Fenne Kuppens | D Minor | 8 | 7A | 110 BPM | ||
| Perspective | Robin Kester | B♭ Minor | 5 | 3A | 123 BPM | ||
| A Place Reserved for Reverse | Damien Jurado | D Minor | 8 | 7A | 110 BPM | ||
| We Are What We Dream | Damien Jurado | B Major | 4 | 1B | 115 BPM | ||
| Wake Up Strange | Archive, Matthew Herbert | F Minor | 6 | 4A | 120 BPM | ||
| All in bet | Jana Horn | D Minor | 8 | 7A | 110 BPM |