Felix Mendelssohn, ジャン=ジャック・カントロフ, Jacques Rouvier's ' "《無言歌集》より 作品62-1 五月のそよ風" was released on its scheduled release date, 1990. The duration of This song is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. 《無言歌集》より 作品62-1 五月のそよ風's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 死の舞踏 〜ヴァイオリン・ヴィルトゥオーゾ・コスモス, so we believe that "《無言歌集》より 作品62-1 五月のそよ風" is a single. The popularity of 《無言歌集》より 作品62-1 五月のそよ風 is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of 《無言歌集》より 作品62-1 五月のそよ風 by Felix Mendelssohn, ジャン=ジャック・カントロフ, Jacques Rouvier is Vivace (lively and fast), since this song has a tempo of 176 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
| Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1, MWV U103 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 65 BPM | ||
| Melody from « Orfeo » | Christoph Willibald Gluck, Roberto Giordano | G Minor | 2 | 6A | 115 BPM | ||
| Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
| Préludes / Book 1, L. 117: 8. La fille aux cheveux de lin | Claude Debussy, Daniel Barenboim | F♯ Major | 0 | 2B | 128 BPM | ||
| Kinderszenen, Op. 15: I. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
| Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM | ||
| Melody in F, Op. 3, No. 1 - Remastered | Anton Rubinstein, Philippe Entremont | C Major | 1 | 8B | 99 BPM | ||
| Piano Concerto No. 3 in C Minor, Op. 37: III. Rondo (Allegro) - Live | Ludwig van Beethoven, Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | C Minor | 2 | 5A | 114 BPM | ||
| Cello Concerto No. 1 in C Major, Hob.VIIb:1: III. Allegro molto | Joseph Haydn, Steven Isserlis, Chamber Orchestra of Europe, Sir Roger Norrington | C Major | 1 | 8B | 147 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: III. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | F Major | 3 | 7B | 164 BPM | ||
| Toccata | Aram Khachaturian, Karine Poghosyan | A♭ Minor | 2 | 1A | 104 BPM | ||
| Lieder ohne Worte, Op.19: No. 4 In A (Moderato), MWV U 73 | Felix Mendelssohn, Daniel Barenboim | A Major | 0 | 11B | 134 BPM | ||
| Liebesträume, S. 541: No. 3, O lieb, so lang du lieben kannst! | Franz Liszt, Daniel Barenboim | A♭ Major | 0 | 4B | 139 BPM | ||
| 6 Pezzi, P. 44: No. 4. Minuetto | Ottorino Respighi, Konstantin Scherbakov | G Major | 0 | 9B | 132 BPM | ||
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| Piano Concerto in A Minor, Op. 7: III. Finale. Allegro non troppo - Allegro molto | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | F Minor | 1 | 4A | 103 BPM | ||
| Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: III. Presto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | C Minor | 4 | 5A | 110 BPM | ||
| Piano Concerto No. 4 in G Major, Op. 58: II. Andante con moto - Live | Ludwig van Beethoven, Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | F Major | 1 | 7B | 172 BPM | ||
| II. Adagio cantabile from Piano Sonata No. 8 in C minor, Op. 13 "Pathetique" - Instrumental | Ludwig van Beethoven, Murray Perahia | A♭ Major | 0 | 4B | 62 BPM | ||
| In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
| Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
| Praeludium & Allegro "by Gaetano Pugnani" | Fritz Kreisler, Joshua Bell, Paul Coker | E Minor | 2 | 9A | 103 BPM | ||
| Dolly Suite, Op. 56: I. Berceuse | Gabriel Fauré, Katia Labèque, Marielle Labèque | E Major | 0 | 12B | 63 BPM | ||
| Après un Rêve Op.7, No.1 | Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa | F Minor | 1 | 4A | 96 BPM |