Doug Raney's ' "Mr. P.C." was released on its scheduled release date, 1991. This song is about six minutes long, preciously at 5:33, making this song fairly long compared to other songs. The track order of this song in Doug Raney's "Introducing Doug Raney" album is number 1 out of 9. Based on our statistics, Mr. P.C.'s popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Mr. P.C. by Doug Raney to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hey, It's Me You're Talkin To | Victor Lewis Quintet | G Major | 3 | 9B | 73 BPM | ||
| Blues-Ette | Curtis Fuller Quintet | F Minor | 1 | 4A | 168 BPM | ||
| Blue in Green (Live) [feat. Doug Raney] | Bernt Rosengren Tentet, Doug Raney | D Minor | 5 | 7A | 174 BPM | ||
| Prudence | Roger Kellaway, Jay Leonhart, Peter Erskine | A♭ Major | 5 | 4B | 102 BPM | ||
| I en eventuel digtsamling | Jan Erik Vold, Nisse Sandström, Doug Raney, Egil Kapstad | G Minor | 6 | 6A | 101 BPM | ||
| For Oscar | Jesus Molina | D Minor | 8 | 7A | 108 BPM | ||
| Bellarosa | Benny Green | F Minor | 3 | 4A | 81 BPM | ||
| Ornithology | Barry Harris Trio | D Major | 5 | 10B | 113 BPM | ||
| You'd Be So Nice To Come Home To - Rudy Van Gelder Edition; 2007 Digital Remaster | Paul Chambers | B♭ Major | 2 | 6B | 170 BPM | ||
| Blues Stride | McCoy Tyner Trio | F Major | 2 | 7B | 126 BPM | ||
| Ease It | カート・ローゼンウィンケル・トリオ | D♭ Major | 4 | 3B | 110 BPM | ||
| Broadmoor | Peter Martin | F Major | 5 | 7B | 92 BPM | ||
| Blues And The Abstract Truth | Oliver Nelson, Daniel Moore | G Minor | 6 | 6A | 116 BPM | ||
| The Things We Did Last Summer | Peter Bernstein Quartet | G Major | 4 | 9B | 76 BPM | ||
| Stompin' At The Savoy - Instrumental | George Van Eps, Howard Alden | B♭ Minor | 3 | 3A | 84 BPM | ||
| Lazy Sundays | Bobby Broom | F Major | 2 | 7B | 121 BPM | ||
| Half Nelson | Doug Raney, Dave Stryker, Freddie Bryant, Steve LaSpina, Billy Drummond | G Major | 4 | 9B | 104 BPM | ||
| All The Things You Are - Instrumental | Jimmy Bruno | A♭ Major | 2 | 4B | 108 BPM | ||
| The Touch of Your Lips | Ola Kvernberg, Doug Raney, Steinar Raknes | C Major | 1 | 8B | 126 BPM | ||
| Afternoon in Paris | Phineas Newborn Jr. | A♭ Major | 2 | 4B | 118 BPM | ||
| Ghost of a Chance | Lennie Tristano | C Major | 3 | 8B | 82 BPM | ||
| Frostborn Destiny | Orión Natera | C Major | 3 | 8B | 125 BPM | ||
| How my heart sings | Jimmy Raney, Doug Raney | E Minor | 3 | 9A | 105 BPM | ||
| Equestrian Interlude | Vancouver Jazz Orchestra, James Danderfer, Brian Charette | B Minor | 6 | 10A | 119 BPM | ||
| Straight Street | Doug Raney | F♯ Major | 2 | 2B | 96 BPM |