Nikhil Banerjee's ' "Alap" was released on its scheduled release date, January 1, 1991. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 6 in the song's album "Purabi Kalyan 1982". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, Alap is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Alap by Nikhil Banerjee having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mangala Charan | Ensemble traditionnel de l'Orissa | D Major | 3 | 10B | 145 BPM | ||
| Kṛiti by Saint Tyāgarāja - Rāgam: Bilaharị | L. Subramaniam, Viji Subramaniam, T. H. Subashchandran, Poovalur V. Srinivasan | B Major | 1 | 1B | 133 BPM | ||
| Bilak Uzuk (Bracelet) | Sirojiddin Juraev, Salar Nader | B♭ Major | 2 | 6B | 139 BPM | ||
| Mangaḷam: "Pavamāna" | Ranganayaki Rajagopalan, Raja Rao | F Minor | 3 | 4A | 107 BPM | ||
| Sitar Meditation | Mantra Live, Glenn Sharp | F Major | 0 | 7B | 85 BPM | ||
| Tani Avartanam | Traditional, Alla Rakha, Zakir Hussain | F Minor | 4 | 4A | 139 BPM | ||
| Maharaj Eki Sajey Ele | Tejendra Majumdar | C Major | 5 | 8B | 117 BPM | ||
| Dhun Siya | Langas, Manganiars | G Major | 7 | 9B | 122 BPM | ||
| The Way I Feel | Leela, Re-Orient | D Major | 5 | 10B | 93 BPM | ||
| Raga Kirvani - Alap | Ram Narayan, Suresh Talwalkar, François Auboux | F Minor | 1 | 4A | 142 BPM | ||
| Folk: Aadhi Taal, 8 Beats | Pandit Vinayak Vora, M. Kalyanaraman | A Major | 5 | 11B | 118 BPM | ||
| Maha Ganapatim - Nata | T. N. Krishnan | A Major | 3 | 11B | 122 BPM | ||
| Kaushi Kanra in Vilambit Tintal | Alam Khan, Indranil Mallick | C Minor | 4 | 5A | 114 BPM | ||
| Raga Aberi Track 07 | L. Shankar | B♭ Minor | 6 | 3A | 92 BPM | ||
| After a Hot Day | Surajit Das, Lucyan | D♭ Major | 5 | 3B | 113 BPM | ||
| Raga Chayanat - Alap | Ken Zuckerman | C Major | 0 | 8B | 105 BPM | ||
| Bhairavi Gat | Shivkumar Sharma | E Minor | 5 | 9A | 126 BPM | ||
| Behaag Thillana | Jayanthi Kumaresh | E Major | 5 | 12B | 116 BPM | ||
| Raga Shudh Kalyan Alap | G.S. Sachdev | F Major | 0 | 7B | 79 BPM | ||
| Tintal | Nikhil Banerjee | D♭ Major | 5 | 3B | 84 BPM | ||
| Raga Kirwani Gat | Shahid Parvez | B Major | 6 | 1B | 158 BPM | ||
| Raag Nat Bhairav - Gat in Jhaptaal | Mayukh Gangopadhyay | C Major | 3 | 8B | 171 BPM | ||
| Raga Mishra Shivaranjani | Debashish Bhattacharya | D♭ Minor | 4 | 12A | 123 BPM | ||
| Raga Purvi | Kala Ramnath | D♭ Major | 5 | 3B | 105 BPM | ||
| Kriti: "Mīnākṣi Me Mudam" / Niraval | Ranganayaki Rajagopalan, Raja Rao | F Minor | 5 | 4A | 164 BPM |