"Opus musicum: Ecce quomodo moritur justus" by Jacobus Gallus, Raphael Pichon, Ensemble Pygmalion had its release date on September 25, 2020. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Johann Sebastian Bach, Ensemble Pygmalion, Raphael Pichon's "Johann Sebastian Bach: Motets" album is number 7 out of 21. On top of that, France appears to be the country where this track was created. Based on our statistics, Opus musicum: Ecce quomodo moritur justus's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Opus musicum: Ecce quomodo moritur justus by Jacobus Gallus, Raphael Pichon, Ensemble Pygmalion to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Deus Absconditus | Elaria, Schola Antiqua, Nova Schola Gregoriana, Institute of Christ the King Sovereign Priest | D♭ Minor | 1 | 12A | 124 BPM | ||
| Thou Knowest Lord The Secret Of Our Hearts | Monks And Choir Boys Of Downside Abbey | G Minor | 1 | 6A | 135 BPM | ||
| Тропар св.архангелима | Хор при Храму Св. Архангела Михаила | F♯ Major | 2 | 2B | 108 BPM | ||
| Liturgy of St. John Chrysostom, Op. 41: XIV. Praise the Lord from the Heavens | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | D Minor | 1 | 7A | 75 BPM | ||
| Nigra sum sed formosa II | Jean L'héritier, The Choir of King's College London, Gareth Wilson | G Major | 1 | 9B | 92 BPM | ||
| Benedictine Monks of the Abbey of Saint Maurice | Gregorian Chanting Monks, Benedictine Monks of the Abbey, Gregorian Chants Healing | A Minor | 2 | 8A | 63 BPM | ||
| Via Radiantis Aeternitatis | Schola Gregoriana Del Coro F. Paer, Schola of the Hofburgkapelle, Vienna, The Monks of Pluscarden Abbey | E♭ Major | 1 | 5B | 100 BPM | ||
| Benedictus sis tu | Birgitta von Schweden, Les Flamboyants, Michael Form, Susanne Ansorg, Miriam Andersén, Kelly Landerkin, Marília Vargas | C Minor | 0 | 5A | 75 BPM | ||
| Requiem: I. Requiem aeternam I | Eleanor Daley, The Choir of Royal Holloway, Rupert Gough, Esmé Ellis | D Major | 0 | 10B | 83 BPM | ||
| Our Song - Arr. Dan Walker | Kate Miller-Heidke, Keir Nuttall, Gondwana Voices, Lyn Williams | G Minor | 1 | 6A | 80 BPM | ||
| Israel in Egypt, HWV 54, Pt I. "Lamentations of the Israelites for the Death of Joseph": V. Their bodies are buried in peace (Chorus) | George Frideric Handel, Apollo's Fire, Jeannette Sorrell, Apollo's Singers | A Minor | 0 | 8A | 66 BPM | ||
| Sub Tuum Paesidium: Sub Tuum Præsidium Pour Sopranos, Altos Et Orgue | Michel Piquemal Vocal Ensemble, Eric Lebrun, Michel Piquemal, Guy Ropartz | E♭ Major | 1 | 5B | 77 BPM | ||
| Libera me, WAB 21 | Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | D Minor | 1 | 7A | 83 BPM | ||
| Adesto dolori meo | Jacob Clemens non Papa, Musica Sacra | B♭ Major | 1 | 6B | 87 BPM | ||
| O Domine Jesu Christe | Jean Mouton, The Suspicious Cheese Lords | A Major | 1 | 11B | 72 BPM | ||
| O Morning Star (O Oriens - 21 December) | Esther Bersweden, St Martin's Voices, Andrew Earis | B Minor | 1 | 10A | 97 BPM | ||
| Mass in E-Flat Major, Op. 109, IJR 75 "Cantus Missae": I. Kyrie | Josef Rheinberger, Netherlands Radio Choir, Benjamin Goodson | F Major | 1 | 7B | 79 BPM | ||
| Regina caeli laetare | Francisco Guerrero, RIAS Kammerchor, Justin Doyle | A Major | 2 | 11B | 79 BPM | ||
| Nunc dimittis, from Short Evening Service | Orlando Gibbons | A Major | 1 | 11B | 133 BPM | ||
| Omnes de Saba venient | Jacobus Gallus, John Scott, St. Paul's Cathedral Choir | B♭ Major | 2 | 6B | 170 BPM | ||
| Som hjorten törstar | Sven-Erik Bäck, Swedish Chamber Choir, Simon Phipps | D Major | 2 | 10B | 87 BPM | ||
| Gathering of Gentle Spirits | Gregorian Chanting Monks, The Chanting Monk | E Minor | 0 | 9A | 176 BPM | ||
| Ave virgo sanctissima | Francisco Guerrero, Ensemble Plus Ultra, His Majestys Sagbutts & Cornetts, Michael Noone | F Major | 1 | 7B | 85 BPM | ||
| To Persephone | The Rosslyn Singers, Mary Oliver | E Major | 2 | 12B | 77 BPM | ||
| Sancta Mater | Kim André Arnesen, Haderslev Domkirkes Pigekor, Sønderjyllands Symfoniorkester, Thomas Berg-Juul | F Major | 0 | 7B | 98 BPM |