Natasha St-Pier's 'Nos rendez-vous' had a release date set for 2002. The duration of This song is about 3 minutes long, at 3:04. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 14 in De L' Amour Le Mieux by Natasha St-Pier. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Nos rendez-vous is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Nos rendez-vous by Natasha St-Pier is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ton histoire | Isabelle Boulay | E♭ Minor | 6 | 2A | 134 BPM | ||
| Laisse Moi | Jeremy Chatelain | G Major | 7 | 9B | 93 BPM | ||
| Couvre-Moi | Julie Zenatti | D Major | 5 | 10B | 125 BPM | ||
| Jusqu'au bout | David Charvet | D♭ Major | 8 | 3B | 107 BPM | ||
| Jusqu'A La Tolérance - BOF "Alive" | Ginie Line | C Major | 5 | 8B | 140 BPM | ||
| Un homme extraordinaire (radio edit) | Les Innocents | D Major | 5 | 10B | 183 BPM | ||
| Rien que des mots | Umberto Tozzi | A Major | 5 | 11B | 182 BPM | ||
| A la même heure dans deux ans | Elsa | G Major | 3 | 9B | 129 BPM | ||
| Tant que c'est toi - Edit clip - final edit radio | Natasha St-Pier | G Minor | 6 | 6A | 140 BPM | ||
| Elle, tu l'aimes | Hélène Ségara | E Minor | 4 | 9A | 118 BPM | ||
| Seul | Garou | G Minor | 6 | 6A | 106 BPM | ||
| Les trois cloches (The Three Bells) | Tina Arena | B Major | 5 | 1B | 88 BPM | ||
| La Vie ne m'apprend rien | Liane Foly | C Minor | 3 | 5A | 77 BPM | ||
| Parce que c'était écrit comme ça | Elsa Esnoult | E♭ Major | 6 | 5B | 142 BPM | ||
| Ose | Yannick Noah | G Minor | 9 | 6A | 94 BPM | ||
| 1,2,3,4 | Elisa Tovati, Matt Epp | G Minor | 8 | 6A | 92 BPM | ||
| Si tu veux mon coeur | Tina Arena | A♭ Minor | 4 | 1A | 122 BPM | ||
| C.e. S.o.i.r J.e P.a.r.s | Florian Chevalier | F Major | 7 | 7B | 127 BPM | ||
| Don juan est mort | Étienne Drapeau, Normand Lévesque, Marie-Ève Janvier, Natasha St-Pier, Amélie B. Simard | F♯ Major | 4 | 2B | 140 BPM | ||
| Les diamants sont solitaires | Natasha St-Pier | F Major | 8 | 7B | 135 BPM | ||
| Là où je t'aime | Didier Barbelivien | F Major | 2 | 7B | 157 BPM | ||
| Vivre d'amour | Les Petits Chanteurs à la Croix de Bois, Natasha St-Pier | F♯ Major | 3 | 2B | 130 BPM | ||
| Une étincelle | L5 | E Minor | 8 | 9A | 88 BPM | ||
| Jean de France | Didier Barbelivien | B♭ Major | 4 | 6B | 96 BPM | ||
| Tired Of Being Sorry (feat. Enrique Iglesias) | Nâdiya, Enrique Iglesias | C Minor | 9 | 5A | 120 BPM |