Luke Abbott's 'Brazil - Gold Panda Remix' had a release date set for November 27, 2011. This song is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. The song is number 4 out of 5 in Brazil by Luke Abbott. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Brazil - Gold Panda Remix's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Brazil - Gold Panda Remix by Luke Abbott is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Smygkatt | Shida Shahabi | B♭ Major | 0 | 6B | 48 BPM | ||
| CON | Martin Kohlstedt | B♭ Minor | 3 | 3A | 135 BPM | ||
| Burnt - Lubomyr Melnyk Rework | Kiasmos, Lubomyr Melnyk | D♭ Minor | 3 | 12A | 95 BPM | ||
| Eureka Pulse | Neil Cowley | C Major | 1 | 8B | 134 BPM | ||
| Carry | Martyn Heyne | E Major | 4 | 12B | 132 BPM | ||
| Suddenly We Looked Like Giants | Patrick Jonsson | D Major | 2 | 10B | 85 BPM | ||
| Freche Freunde | Thomas Fehlmann | D♭ Major | 3 | 3B | 110 BPM | ||
| Humming Bird | Felix Rösch | G Minor | 4 | 6A | 110 BPM | ||
| Sublime Frequencies of Cairo | Acid Pauli | F♯ Minor | 3 | 11A | 181 BPM | ||
| Maracuyá / Barranco | Sergio Díaz De Rojas | B Major | 2 | 1B | 162 BPM | ||
| Winding Snake | Portico Quartet | G Minor | 4 | 6A | 85 BPM | ||
| Moments | Luke Abbott | D♭ Major | 3 | 3B | 123 BPM | ||
| Debussy: Reverie 68 - Second Storey & Appleblim Rework | Second Storey, Appleblim | F Major | 5 | 7B | 106 BPM | ||
| Dawning and Wind | Shida Shahabi | C Major | 0 | 8B | 74 BPM | ||
| Creature, Pt. 1 | DjRUM, Zosia Jagodzinska | C Minor | 2 | 5A | 80 BPM | ||
| Warm Clouds | Ovelis Trent | D♭ Minor | 1 | 12A | 129 BPM | ||
| Soft Shape | Kalei Moro | E♭ Minor | 4 | 2A | 99 BPM | ||
| Jimmy V | Mary Lattimore | F Minor | 1 | 4A | 79 BPM | ||
| Midnight In The Garden With Ghosts | Deru | B♭ Major | 5 | 6B | 85 BPM | ||
| Man and his Tools - Luke Abbott Speaking in Tongues Remix | Theodore, Luke Abbott | G Major | 9 | 9B | 126 BPM | ||
| The How of it Sped | Bing & Ruth | B♭ Minor | 2 | 3A | 75 BPM | ||
| Cloud No. 26 (Piano Sonata No 26, Les Adieux, Andante) - Beethoven Recomposed | Shida Shahabi | C Major | 1 | 8B | 144 BPM | ||
| The First Thing That You Say | Phil France | E Minor | 5 | 9A | 110 BPM | ||
| Field Tower | Dark Sky | D♭ Major | 8 | 3B | 73 BPM | ||
| Free Migration | Luke Abbott | A Major | 7 | 11B | 176 BPM |