Hiromi Ota's ' "ピッツア・ハウス22時" was released on its scheduled release date, 1978. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 11 in ELEGANCE by Hiromi Ota. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. ピッツア・ハウス22時 is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of ピッツア・ハウス22時 by Hiromi Ota is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ラスト・ラブ | Yasuko Naito | A Major | 7 | 11B | 80 BPM | ||
| ごめんね | あみん | D Major | 3 | 10B | 75 BPM | ||
| 雨音はショパンの調べ'90 - 1992 Mix | Hiroko Kasahara | C Major | 8 | 8B | 114 BPM | ||
| 真夜中のギター | Sakiko Ito | F♯ Minor | 4 | 11A | 92 BPM | ||
| こんな日の雨なら大好き~The Rain Came Down | 中山美穂 | B♭ Major | 3 | 6B | 127 BPM | ||
| さすらいの天使 | Ayumi Ishida | A♭ Major | 4 | 4B | 94 BPM | ||
| ぴあの | 純名里沙, Joe's Project | B♭ Major | 6 | 6B | 180 BPM | ||
| 無口な夜 | Takao Kisugi | C Major | 3 | 8B | 91 BPM | ||
| 忘れ雪 | Off Course | A Minor | 4 | 8A | 140 BPM | ||
| 季節の翳りに | Machiko Watanabe | G Minor | 5 | 6A | 97 BPM | ||
| 季節風 | Goro Noguchi | G Minor | 8 | 6A | 97 BPM | ||
| 冬の日の帰り道 | Agnes Chan | F♯ Minor | 5 | 11A | 116 BPM | ||
| 冬 | あみん | D Major | 3 | 10B | 75 BPM | ||
| 今・今・今 | Kiyohiko Ozaki | C Minor | 3 | 5A | 111 BPM | ||
| 雨の日曜日 | Akiko Kobayashi | D♭ Major | 4 | 3B | 147 BPM | ||
| 夢 | シモンズ | G Major | 3 | 9B | 80 BPM | ||
| 狼なんか怖くない | Mako Ishino | A Minor | 8 | 8A | 136 BPM | ||
| トーキョー・マイラブ | チェウニ | C Major | 5 | 8B | 128 BPM | ||
| やさしい女 | 中島みゆき | G Minor | 2 | 6A | 117 BPM | ||
| 夢色のメッセージ | 西村知美 | D♭ Minor | 5 | 12A | 114 BPM | ||
| 美しい夏 | Junko Sakurada | C Minor | 6 | 5A | 125 BPM | ||
| しあわせ未満 | Hiromi Ota | B Minor | 6 | 10A | 87 BPM | ||
| Summer End Samba | Hiromi Ota | A Minor | 4 | 8A | 131 BPM | ||
| 祭りのあと | Masaaki Sakai | E Major | 2 | 12B | 119 BPM | ||
| なごりのあとだけ | 因幡晃 | E♭ Minor | 1 | 2A | 180 BPM |