Alessandro Scarlatti, Alicia Amo, La Ritirata, Josetxu Obregon's ' "Il giardino di rose, R.503.19: Prima Parte: Così legate insieme (Recitativo)" was released on its scheduled release date, February 14, 2025. With This song being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 55 in the song's album "Scarlatti: Il giardino di rose". In this album, this song's track order is #25. Furthermore, we believe that the track originated from Germany. Il giardino di rose, R.503.19: Prima Parte: Così legate insieme (Recitativo) is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Il giardino di rose, R.503.19: Prima Parte: Così legate insieme (Recitativo) by Alessandro Scarlatti, Alicia Amo, La Ritirata, Josetxu Obregon having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Oh Gottes Stadt, BuxWV 87 | Dietrich Buxtehude, Martin Platz, Wolfgang Katschner, Lautten Compagney | D♭ Minor | 1 | 12A | 179 BPM | ||
| Concerto Armonico No. 6 in E-Flat Major: Vivace | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | A Major | 2 | 11B | 126 BPM | ||
| Concerto in F Major, HWV 333: V. Allegro ma non troppo | George Frideric Handel, Freiburger Barockorchester, Gottfried Von Der Goltz, Petra Mullejans | F♯ Minor | 1 | 11A | 78 BPM | ||
| Purcell: Timon of Athens, Z. 632: Curtain Tune on a Ground | Henry Purcell, John Eliot Gardiner, English Baroque Soloists | A♭ Major | 0 | 4B | 93 BPM | ||
| Magnificat in B flat major: Et misericordia | Francesco Durante, Bernhard Landauer, Thomas Hengelbrock | F♯ Minor | 0 | 11A | 78 BPM | ||
| Concerto grosso No. 2 in B-Flat major, HWV 313: II. Largo | George Frideric Handel, Academy of Ancient Music, Richard Egarr | A Major | 3 | 11B | 105 BPM | ||
| Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
| Cantique Quatrième "sur le bonheur des justes & sur le malheur des resprouvez": II. De quelle douleur profonde | Michel Richard Delalande, Véronique Gens, Noemi Rime, Les Arts Florissants, William Christie | D♭ Minor | 0 | 12A | 67 BPM | ||
| Sonata da camera, Op. 2 No. 11: I. Preludio | Antonio Caldara, Amandine Beyer, Leila Schayegh, Matthias Spaeter, Jonathan Pesek, Jörg-Andreas Bötticher | E♭ Minor | 1 | 2A | 117 BPM | ||
| Ouverture a 7 concertanti in F Major - 2 Violini, 2 Oboe, Viola, Fagotto, Basso Continuo: Aria: Aria | Jan Dismas Zelenka, Il Fondamento, Paul Dombrecht | A♭ Minor | 1 | 1A | 78 BPM | ||
| Les Indes galantes: "Tendre Amour" | Jean-Philippe Rameau, Les Arts Florissants, Les solistes du Jardin des Voix 2013, William Christie | C Major | 3 | 8B | 69 BPM | ||
| Cantate Domino | Francesco Cavalli, Gerlinde Sämann, Ecco la musica | E♭ Minor | 1 | 2A | 96 BPM | ||
| Funeral Anthem for Queen Caroline, HWV 264: II. The ways of Zion do mourn - Live | Georg Friedrich Händel, Bible (Old Testament: Books Lamentations & Samuel), Lukas Wanner, Zeronove, I Pizzicanti | D♭ Minor | 1 | 12A | 179 BPM | ||
| Psyche, Act I: Overture | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
| Messa a 5 Concertata: IX. Domine Deus, Rex coelestis | Giovanni Paolo Colonna, Chœur De Chambre De Namur, Cappella Mediterranea, Leonardo García-Alarcón, Elizaveta Sveshnikova, Mariana Flores, Paul-Antoine Bénos-Djian | E♭ Minor | 1 | 2A | 60 BPM | ||
| Juditha Triumphans, RV 644, pars prior: Aria (Vagaus) "Matrona inimica" | Antonio Vivaldi, Rachel Redmond, Jordi Savall, Le Concert Des Nations | A Major | 3 | 11B | 174 BPM | ||
| III. O teurʼ und werte Wortʼ! | Georg Philipp Telemann, Hanna Herfurtner, Kölner Akademie, Michael Alexander Willens | E Major | 1 | 12B | 102 BPM | ||
| Overture No. 6 in B-Flat Major: II. Largo | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Major | 0 | 2B | 96 BPM | ||
| Pergolesi: Sinfonia a tre in F Major: III. Adagio | Giovanni Battista Pergolesi, Il Seminario Musicale | C Minor | 0 | 5A | 111 BPM | ||
| Oboe Concerto in F Minor, TWV 51:F2: III. Vivace | Georg Philipp Telemann, Marcel Ponseele, Il Gardellino | A Minor | 1 | 8A | 159 BPM | ||
| Now Does the Glorious Day Appear, Z. 332 "Ode for Queen Mary's Birthday": No. 7, By Beauteous Softness | Henry Purcell, Paul-Antoine Benos-Djian, Le Consort | D♭ Minor | 0 | 12A | 71 BPM | ||
| Ouverture-Suite in B Minor, TWV 55:h4: III. Loure | Georg Philipp Telemann, Isabelle Faust, Akademie für Alte Musik Berlin, Bernhard Forck | D♭ Major | 3 | 3B | 140 BPM | ||
| Su le sponde del Tebro - Cantata a voce sola con Violini e Tromba: 6. *Aria. (Poco mosso, sempre dolce e leggiero) - Ritornello* | Alessandro Scarlatti, Wynton Marsalis, Kathleen Battle, John Nelson, Orchestra of St. Luke's, Anthony Newman, John T. Kulowitsch, Daire Fitzgerald | A Minor | 0 | 8A | 166 BPM | ||
| Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
| Gluck: Orfeo ed Euridice, Wq. 30, Act 1: Ballo. Tempo di minuè | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D Major | 1 | 10B | 93 BPM |