"Opening" by Chris Bacon had its release date on November 1, 2024. With This song being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Chris Bacon's "Heretic (Original Soundtrack)" album is number 1 out of 19. In terms of popularity, Opening is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Opening by Chris Bacon to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bedtime Stories | Mike Higham, Matthew Margeson | A♭ Major | 1 | 4B | 92 BPM | ||
| Enoch's Dolls | Mike Higham, Matthew Margeson | C Minor | 1 | 5A | 139 BPM | ||
| Bad Moon Rising - (Alt Version) from "Wednesday: Season 2" | Wednesday Addams, Nevermore Academy Orchestra, Catherine Zeta-Jones, Billie Piper, Bobby Studley | B Minor | 1 | 10A | 159 BPM | ||
| Final Chapter | Mark Korven | F Minor | 5 | 4A | 72 BPM | ||
| The Wellhouse | Torin Borrowdale | D♭ Major | 2 | 3B | 130 BPM | ||
| Two Jakes | Mike Higham, Matthew Margeson | G Major | 1 | 9B | 70 BPM | ||
| Tamlin's Betrayal | The Duology, Taylor Ash, Lindsay Dills | D Major | 1 | 10B | 99 BPM | ||
| Locke & Key - End Titles | Torin Borrowdale | E Minor | 2 | 9A | 82 BPM | ||
| The Tower Moans | Dan Levy | F Major | 5 | 7B | 108 BPM | ||
| Clarisse and the Ironclad | Bear McCreary, Sparks & Shadows | C Minor | 4 | 5A | 118 BPM | ||
| Introducing Matthew Clairmont & Diana Bishop | Rob Lane, Klara Ketelaars, The Chamber Orchestra Of London | C Minor | 1 | 5A | 119 BPM | ||
| The RIghts | David Fleming | G Major | 1 | 9B | 118 BPM | ||
| Mercy in the Cave | Joseph Trapanese, Angel | D Major | 2 | 10B | 78 BPM | ||
| Do You Have an Opinion on Fate? | Luke Richards | A♭ Major | 4 | 4B | 160 BPM | ||
| Marie (feat. Kotomi) | Christopher Lennertz, Matt Bowen, Kotomi | B♭ Major | 3 | 6B | 146 BPM | ||
| Ghost Bode | Torin Borrowdale | G Major | 1 | 9B | 88 BPM | ||
| Miss Peregrine's Home for Peculiar Children | Mike Higham, Matthew Margeson | D Major | 3 | 10B | 89 BPM | ||
| William and Father | Alexandre Desplat | D Minor | 1 | 7A | 137 BPM | ||
| Echoes of Vengeance | Shadow's Symphony | F♯ Minor | 4 | 11A | 86 BPM | ||
| One More Chance | Danny Elfman, Chris Bacon | D♭ Major | 6 | 3B | 101 BPM | ||
| Why Does That Matter | Volker Bertelmann | C Minor | 1 | 5A | 125 BPM | ||
| The Curtain Falls | Daniel Pemberton | F Major | 0 | 7B | 132 BPM | ||
| Suspects | Patrick Doyle | E♭ Major | 1 | 5B | 81 BPM | ||
| Children of the Endless | David Buckley | E Major | 1 | 12B | 78 BPM | ||
| In the Flesh | Nathan Johnson | G Minor | 3 | 6A | 177 BPM |