"hibari" by Ryuichi Sakamoto had its release date on December 14, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "playing the piano usa 2010 / korea 2011 - ustream viewers selection -". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Japan. In terms of popularity, hibari is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With hibari by Ryuichi Sakamoto having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Scotch Rose | Stephen Emmer | G Major | 1 | 9B | 78 BPM | ||
| Hollow | Bass Lover | N/A | N/A | N/A | 0 BPM | ||
| Marginalia #48 | Masakatsu Takagi | E Major | 0 | 12B | 65 BPM | ||
| Bibo No Aozora | Ryuichi Sakamoto | C Major | 1 | 8B | 75 BPM | ||
| Evil Does Not Exist V.2 | Eiko Ishibashi | E♭ Minor | 2 | 2A | 142 BPM | ||
| aware | Fennesz, Ryuichi Sakamoto | F♯ Minor | 1 | 11A | 173 BPM | ||
| Avril 14th | Aphex Twin | A♭ Major | 0 | 4B | 136 BPM | ||
| Bokudakedemo | Soichi Noriki | B Minor | 0 | 10A | 61 BPM | ||
| BWV 974 - II Adagio - Rework | Víkingur Ólafsson, Ryuichi Sakamoto | A Minor | 1 | 8A | 94 BPM | ||
| The Ocean Waves | Shigeru Nagata | G Major | 2 | 9B | 116 BPM | ||
| Rêverie, L. 68 | Claude Debussy, François-Joël Thiollier | F Major | 0 | 7B | 69 BPM | ||
| sanbika | Miu Sakamoto, Marihiko Hara | B♭ Major | 1 | 6B | 73 BPM | ||
| Peers | Hi'Spec | F♯ Minor | 0 | 11A | 119 BPM | ||
| Ephemeral Rays of Light (feat. Kei Matsumaru) | Ayatake Ezaki, Kei Matsumaru | A♭ Major | 0 | 4B | 68 BPM | ||
| Marginalia #213 | Masakatsu Takagi | C Major | 3 | 8B | 132 BPM | ||
| CHANSON POUR MICHELLE - Instrumental | Morelenbaum2, Ryuichi Sakamoto | D♭ Major | 0 | 3B | 98 BPM | ||
| Reminiscence | Ólafur Arnalds, Alice Sara Ott | D♭ Minor | 1 | 12A | 112 BPM | ||
| Betty et Zorg | Gabriel Yared | G Major | 0 | 9B | 79 BPM | ||
| long time | Rei Harakami | F♯ Minor | 0 | 11A | 74 BPM | ||
| Main Theme | Katsu Hoshi | C Major | 1 | 8B | 81 BPM | ||
| Before Long | Ryuichi Sakamoto | C Major | 0 | 8B | 76 BPM | ||
| 別れ | Quruli | G Major | 2 | 9B | 99 BPM | ||
| Avril 14th | Aphex Twin, Daniel Hope, Jacques Ammon, Christoph Anacker, Jane Berthe, Kaiser Quartett | D♭ Major | 0 | 3B | 144 BPM | ||
| Yearn | Adonai Michel | C Major | 3 | 8B | 132 BPM | ||
| Gymnopedie No 1 | Francis Poulenc | E Minor | 1 | 9A | 89 BPM |