Ночь На Лысой Горе Фантазия (Редакция Н. Римского-Корсакого), Часть 1 by Мусоргский Модест, Симфонический оркестр радио "Орфей" Song Details

"Ночь На Лысой Горе Фантазия (Редакция Н. Римского-Корсакого), Часть 1" by Мусоргский Модест, Симфонический оркестр радио "Орфей" had its release date on February 9, 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in Классическая Музыка - 100 Лучших Произведений, so we believe that "Ночь На Лысой Горе Фантазия (Редакция Н. Римского-Корсакого), Часть 1" is a single. In terms of popularity, Ночь На Лысой Горе Фантазия (Редакция Н. Римского-Корсакого), Часть 1 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Ночь На Лысой Горе Фантазия (Редакция Н. Римского-Корсакого), Часть 1 by Мусоргский Модест, Симфонический оркестр радио "Орфей" is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.

Music Key

F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 10%
Loudness: -16.002 dB
Acousticness: 89%
Danceability: 33%
Energy: 34%
Instrumentalness: 80%
Liveness: 62%
Loudness: 73%
Speechiness: 4%
Valence: 15%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo	Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa	G Minor	2	6A	123 BPM
Pictures At An Exhibition: Promenade I	Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini	F Major	1	7B	79 BPM
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer)	Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit	F♯ Major	1	2B	61 BPM
Symphony No. 5 in B-Flat Major, D. 485: I. Allegro	Franz Schubert, Wiener Philharmoniker, Claudio Abbado	G Major	0	9B	156 BPM
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico	Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra	G Major	3	9B	97 BPM
Die Meistersinger von Nürnberg, WWV 96: Prelude	Richard Wagner, Wiener Philharmoniker, Sir Georg Solti	C Major	4	8B	99 BPM
Reinecke: Flute Concerto in D Major, Op. 283: I. Allegro molto moderato	Carl Reinecke, Emmanuel Pahud, Ivan Repušić, Das Münchner Rundfunkorchester	A Major	1	11B	110 BPM
Nocturnes, CD 98: II. Fêtes	Claude Debussy, Berliner Philharmoniker, Claudio Abbado	A Major	2	11B	79 BPM
Morgen, Op. 27 No. 4 (Arr. Reger for Piano)	Richard Strauss, Angela Hewitt	A Major	2	11B	143 BPM
Le carnaval des animaux, R. 125: XIV. Finale	Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm	D Minor	3	7A	101 BPM
La Mer, L.109: 3. Dialogue Of The Wind And The Sea	Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit	D♭ Major	2	3B	83 BPM
Symphony No. 5 in B-Flat Major, D. 485: 2. Andante con moto	Franz Schubert, Wiener Philharmoniker, Claudio Abbado	B Major	2	1B	88 BPM
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua	Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel	F♯ Major	0	2B	69 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile	Max Bruch, Joshua Bell, Academy of St. Martin in the Fields	E♭ Major	2	5B	60 BPM
Donausagen, Walzer, Op. 446	Carl Michael Ziehrer, Wiener Philharmoniker, Yannick Nézet-Séguin	G Major	1	9B	97 BPM
Pictures at an Exhibition (Orch. Ravel): V. Ballet of the Unhatched Chicks	Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel	D♭ Major	2	3B	91 BPM
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 2: The Sacrifice: Ritual Action of the Ancestors	Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan	D Minor	0	7A	108 BPM
España - Rhapsody For Orchestra	Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner	F Major	3	7B	129 BPM
Pictures at an Exhibition (Orch. Ravel): VI. Samuel Goldenberg and Schmuÿle	Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini	D♭ Major	1	3B	113 BPM
Pelléas et Mélisande, Op.80: 3. Sicilienne	Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner	G Minor	0	6A	111 BPM
Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Homecoming	Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan	B Minor	1	10A	69 BPM
Hungarian Dance No.1 in G minor - Orchestrated by Brahms: Allegro molto	Johannes Brahms, Chicago Symphony Orchestra, Daniel Barenboim	G Minor	2	6A	65 BPM
Boris Godunov	Modest Mussorgsky, Choir of the Bolshoi Theater, Yelena Obratsova, Yuri Mazurok, Alexandr Ognivcev, Orchestra of The Bolshoi Theater, Vladimir Atlantov, Mark Ermler, Yevgeny Nesterenko	C Major	2	8B	80 BPM
Symphony No. 1 in D Major: III. Feierlich und gemessen, ohne zu schleppen - Live	Gustav Mahler, Berliner Philharmoniker, Claudio Abbado	G Minor	0	6A	56 BPM
The Planets, Op. 32: 3. Mercury, the Winged Messenger	Gustav Holst, Berliner Philharmoniker, Herbert von Karajan	A Major	1	11B	108 BPM