"Rain Tree Sketch II" by Toru Takemitsu, Hélène Grimaud had its release date on January 29, 2016. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Water by Hélène Grimaud, Nitin Sawhney. The song's track number on the album is #3 out of 15 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Rain Tree Sketch II's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Rain Tree Sketch II by Toru Takemitsu, Hélène Grimaud has a tempo of 120 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Rain Tree Sketch II being at 120 BPM, the half-time would be 60 BPM with a double-time of 240 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 4 Ragtime Dances: No. 4, — | Charles Ives, Orchestra New England, James Sinclair | B♭ Major | 4 | 6B | 93 BPM | ||
| Love's Labour's Lost, Op. 28a: II. Longaville's Sonnet | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | D Minor | 0 | 7A | 94 BPM | ||
| Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
| ワルツ―「他人の顔」より― (feat. 小暮浩史) | 藤元高輝, Toru Takemitsu, 小暮浩史 | D Major | 0 | 10B | 176 BPM | ||
| Satie: Mélodie | Erik Satie, Alexandre Tharaud, Nemanja Radulović | F Minor | 1 | 4A | 89 BPM | ||
| Fratres | Arvo Pärt, Gidon Kremer, Keith Jarrett | B♭ Major | 0 | 6B | 77 BPM | ||
| Sonate pour flûte et piano, Op. 64: IV. Finale. Moderato - Grazioso | Mel Bonis, Mathilde Calderini, Aurèle Marthan | D♭ Minor | 2 | 12A | 111 BPM | ||
| Romance for Tree | Shin-ichi Fukuda | D Major | 0 | 10B | 92 BPM | ||
| Poulenc: Cello Sonata, FP 143: II. Cavatine | Francis Poulenc, Daniel Müller-Schott/Robert Kulek | F♯ Major | 0 | 2B | 77 BPM | ||
| Die Geschichte Eines Unbekannten Schauspielers (The Story of the Unknown Actor): Thema - Titelmusik | Alfred Schnittke, Berlin Radio Symphony Orchestra, Frank Strobel | F Major | 0 | 7B | 70 BPM | ||
| Harpsichord Sonata No. 18: Cantabile (arr. for Harp) | Antonio Soler, Godelieve Schrama | C Minor | 1 | 5A | 106 BPM | ||
| Death of Usurer: Adagio | Valery Gergiev, London Symphony Orchestra | C Minor | 0 | 5A | 108 BPM | ||
| Riessler: Deceleration | Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM | ||
| The Dreams & Prayers of Isaac the Blind: Postlude | Osvaldo Golijov, Emil Jonason, Vamlingbo Quartet | N/A | N/A | N/A | 0 BPM | ||
| Suite for Viola & Small Orchestra: I. Prelude | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | B Major | 0 | 1B | 119 BPM | ||
| Aus tiefer Not schrei ich zu dir, BWV 687 (Arr. Kurtág for Piano 4 Hands) | Johann Sebastian Bach, Márta Kurtág, György Kurtág | B Minor | 0 | 10A | 79 BPM | ||
| 3 Utwory w dawnym stylu (3 Pieces in Old Style): I. — | Henryk Górecki, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 0 | 8A | 76 BPM | ||
| El amor brujo, Scene I (1915 Version): No. 4, Danza del fin del día | Manuel de Falla, Perspectives Ensemble, Angel Gil-Ordóñez | E Minor | 2 | 9A | 132 BPM | ||
| Pause ininterrompue (Uninterrupted Rests): III. A song of love | Kotaro Fukuma | G Major | 0 | 9B | 0 BPM | ||
| Le printemps, Op. 18 | Darius Milhaud, Frédéric Pélassy, Eliane Reyes | F♯ Minor | 2 | 11A | 101 BPM | ||
| Marimba Concerto: I. Flowing | Kevin Puts, Ji Su Jung, Baltimore Symphony Orchestra, Marin Alsop | E♭ Major | 2 | 5B | 125 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: III. A tempo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | B♭ Minor | 1 | 3A | 86 BPM | ||
| Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
| Enescu: String Octet in C Major, Op. 7: III. Lentement | George Enescu, Quatuor Ébène, Belcea Quartet | F Major | 0 | 7B | 91 BPM | ||
| The Viola in My Life III | Morton Feldman, Antoine Tamestit, Paulo Alvares | D♭ Major | 0 | 3B | 66 BPM |