On January 1, 2000, the song "Straight Ahead Hip Hop - Interlude" was released by Courtney Pine. With This song being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 15 in Back In The Day by Courtney Pine. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Straight Ahead Hip Hop - Interlude is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Straight Ahead Hip Hop - Interlude by Courtney Pine is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ACE | Walter Smith III, Matthew Stevens, Joel Ross, Harish Raghavan, Marcus Gilmore | G Major | 7 | 9B | 155 BPM | ||
| Sugar | Stanley Turrentine | C Minor | 5 | 5A | 124 BPM | ||
| OO | Roberto Fonseca | B♭ Minor | 5 | 3A | 89 BPM | ||
| Writing On the Wall | [re:jazz], Tok Tok Tok | D♭ Major | 2 | 3B | 83 BPM | ||
| Kofi | Donald Byrd | G Major | 4 | 9B | 86 BPM | ||
| Yellow Daisies | Fertile Ground | F Minor | 5 | 4A | 69 BPM | ||
| No Lie | Ife Ogunjobi | F♯ Major | 2 | 2B | 129 BPM | ||
| Kimberley Hotel | Hidden Jazz Quartett, Anthony Joseph | B♭ Minor | 8 | 3A | 88 BPM | ||
| The Barrier | Jamie Saft, Steve Swallow, Bobby Previte | E Minor | 5 | 9A | 133 BPM | ||
| Walk to Regio's | Ruby Rushton | A♭ Major | 8 | 4B | 68 BPM | ||
| PACHAMAMA | Beto Paciello, John Patitucci, Eric Harland, John Ellis, Rogério Boccato, Anne Boccato | D♭ Minor | 1 | 12A | 124 BPM | ||
| Stories | Full Flava, Carleen Anderson | C Minor | 7 | 5A | 90 BPM | ||
| Keep The Rhythm Strong | Solsonics | B♭ Minor | 6 | 3A | 97 BPM | ||
| Hold Me Closer (feat. Stuart Zender & Maurice Brown) | Omar, Stuart Zender, Maurice Brown | G Major | 7 | 9B | 87 BPM | ||
| Lobby Call | China Moses, Takuya Kuroda | G Major | 3 | 9B | 83 BPM | ||
| Rentstrike | Groove Collective | C Major | 4 | 8B | 109 BPM | ||
| Everything Is Changing | Groove Collective | G Major | 9 | 9B | 120 BPM | ||
| My Father's Place | Courtney Pine | A♭ Minor | 7 | 1A | 132 BPM | ||
| Duel in the Moonlight | Virtual Sax | D Major | 5 | 10B | 105 BPM | ||
| The Man | Omar | B♭ Minor | 6 | 3A | 86 BPM | ||
| Jazz Carnival | Florian Pellissier Quintet | D Minor | 9 | 7A | 132 BPM | ||
| Wind Flower | Terri Lyne Carrington, Julian Lage, Elena Pinderhughes | G Major | 3 | 9B | 142 BPM | ||
| Navarone | Metropolitan Jazz Affair | A Minor | 8 | 8A | 131 BPM | ||
| Stray Away | The Rebirth | A♭ Major | 6 | 4B | 204 BPM | ||
| Darker Than the Blue (feat. Omar) | Courtney Pine, Omar | F Minor | 3 | 4A | 107 BPM |