"Pathetique (2nd Movement)" by Natalie Sobotková had its release date on February 11, 2022. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 2 in the song's album "Pass Off". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Turks and Caicos Islands. Based on our statistics, Pathetique (2nd Movement)'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Pathetique (2nd Movement) by Natalie Sobotková having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gnossiennes: n° 4 | Erik Satie, Alexandre Tharaud | A Minor | 0 | 8A | 85 BPM | ||
| Kinderszenen, Op. 15: Träumerei (Arr. Lewin for Guitar) | Robert Schumann, Miloš Karadaglić | D Major | 0 | 10B | 81 BPM | ||
| 2 Arabesques, L. 66: No. 1 in E Major | Claude Debussy, Michael Korstick | E Major | 0 | 12B | 110 BPM | ||
| Csardas: Csardas | Vittorio Monti, Robert Koenig, Si-Qing Lu | D Major | 1 | 10B | 170 BPM | ||
| Lyric Pieces Book I, Op. 12: No. 1 Arietta | Edvard Grieg, Emil Gilels | E♭ Major | 0 | 5B | 130 BPM | ||
| Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": III. Rondo. Allegro | Ludwig van Beethoven, François-Frédéric Guy | C Minor | 1 | 5A | 105 BPM | ||
| Chopin - Prelude E-Minor OP.28 No 4 | Martin Bloch | E Minor | 0 | 9A | 68 BPM | ||
| Kintab | Musicalbasics | D Major | 2 | 10B | 68 BPM | ||
| Wind Quintet in E-Flat Major, Hess 19: II. Adagio maestoso | Ludwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno Kevehazi | E♭ Major | 0 | 5B | 62 BPM | ||
| Violin Concerto No. 2 in B Minor, Op. 7 La Campanella: III. Rondo à la clochette | Niccolò Paganini, Philippe Quint, Dmitriy Cogan | B Minor | 2 | 10A | 113 BPM | ||
| Minuet in G major, BWV Anh.114 | Christian Petzold, Juan María Solare | G Major | 1 | 9B | 118 BPM | ||
| Schubert: Serenade | Robin Alciatore | D Major | 0 | 10B | 133 BPM | ||
| Beethoven Moonlight Sonata Third Movement | Daniel Peter Lane | F♯ Minor | 3 | 11A | 160 BPM | ||
| Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Leonidas Kavakos, Yuja Wang | E♭ Major | 0 | 5B | 74 BPM | ||
| Liszt-Nocturne No.3 Liebestraum | Winter Flowers | C Minor | 2 | 5A | 68 BPM | ||
| Peer Gynt Suite No.1 op. 46 Anitra's Dance (Tempo di Mazurka) | Academy of St. Martin in the Fields | E Minor | 0 | 9A | 168 BPM | ||
| Kinderszenen, Op. 15: No. 7, Träumerei | Robert Schumann, Maxim Bernard | F Major | 0 | 7B | 134 BPM | ||
| Egmont, Op. 84: Overture | Ludwig van Beethoven, Madeleine Pierard, Claus Obalski, New Zealand Symphony Orchestra, James Judd | F Minor | 1 | 4A | 173 BPM | ||
| Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | ||
| Violin Sonata in G Minor, "Devil's Trill": I. Larghetto | Giuseppe Tartini, Ray Chen, Noreen Polera | B♭ Major | 0 | 6B | 90 BPM | ||
| Prelude in C-Sharp Minor, Op. 3, No. 2 | Ian Hobson | A Major | 1 | 11B | 104 BPM | ||
| Liebeslied | Fritz Kreisler, Julia Krasko, Olga Kondratieva | A Minor | 0 | 8A | 100 BPM | ||
| Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM | ||
| Vecchio pianino in G Minor | Claudio Gizzi, Jean-Pierre Posit | G Minor | 3 | 6A | 69 BPM | ||
| The Barber of Seville: Overture | Gioachino Rossini, Leonard Bernstein, New York Philharmonic | E Major | 2 | 12B | 175 BPM |