Pritam, Arijit Singh's 'Kalank - Title Track' had a release date set for April 14, 2019. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Pritam's "Kalank (Original Motion Picture Soundtrack)" album is number 3 out of 10. On top of that, India appears to be the country where this track was created. In terms of popularity, Kalank - Title Track is currently fairly popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Kalank - Title Track by Pritam, Arijit Singh to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Zara Zara | Bombay Jayashri | E Minor | 4 | 9A | 103 BPM | ||
| Ambarsariya | Sona Mohapatra, Ram Sampath, Munna Dhiman | E Minor | 5 | 9A | 180 BPM | ||
| Sooiyan | Amit Trivedi, Chinmayi, Arijit Singh | F♯ Major | 5 | 2B | 85 BPM | ||
| Tainu Khabar Nahi - From "Munjya" | Sachin-Jigar, Arijit Singh | A Major | 6 | 11B | 90 BPM | ||
| Ishq de Fanniyar - Female Version | Jyotica Tangri, Kumaar | E♭ Minor | 4 | 2A | 84 BPM | ||
| Fevicol Se | Mamta Sharma, Wajid | F Minor | 8 | 4A | 120 BPM | ||
| Manwa Behrupiya | Vipin Patwa, Arijit Singh | A Minor | 6 | 8A | 150 BPM | ||
| Meet | Sachin-Jigar, Arijit Singh | F Major | 5 | 7B | 96 BPM | ||
| Besharmi Ki Height | Benny Dayal, Shalmali Kholgade | G Major | 9 | 9B | 131 BPM | ||
| Yahin Hoon Main | Rochak Kohli, Ayushmann Khurrana | E♭ Major | 6 | 5B | 110 BPM | ||
| Hasi Ban Gaye | Ami Mishra, Kunaal Vermaa, KASYAP, VIBIE | F♯ Minor | 5 | 11A | 148 BPM | ||
| Ek Ladki Ko Dekha Toh Aisa Laga (From "Ek Ladki Ko Dekha Toh Aisa Laga") | Darshan Raval, Rochak Kohli | B♭ Major | 6 | 6B | 174 BPM | ||
| Le Aaunga (From "Satyaprem Ki Katha") | Tanishk Bagchi, Arijit Singh | D Major | 5 | 10B | 123 BPM | ||
| Hamari Adhuri Kahani (Title Track) | Jeet Gannguli, Arijit Singh, Rashmi Virag | C Major | 4 | 8B | 73 BPM | ||
| Gehra Hua | Shashwat Sachdev, Arijit Singh, Irshad Kamil, Armaan Khan | G Minor | 5 | 6A | 125 BPM | ||
| Sooraj Dooba Hain | Amaal Mallik, Arijit Singh, Aditi Singh Sharma, Kumaar | D Major | 8 | 10B | 128 BPM | ||
| Dhadak - Title Track | Ajay Gogavale, Shreya Ghoshal | E Major | 3 | 12B | 114 BPM | ||
| Aaoge Tum Kabhi | The Local Train | C Major | 9 | 8B | 98 BPM | ||
| Bakhuda Tumhi Ho | Atif Aslam, Alka Yagnik, Pritam | D Major | 8 | 10B | 127 BPM | ||
| Fikar Not | Pritam, Nakash Aziz, Dev Negi, Amit Mishra, Amitabh Bhattacharya, Sreerama Chandra, Antara Mitra | F Minor | 8 | 4A | 186 BPM | ||
| Thoda Thoda Pyaar | Nilesh Ahuja, Kumaar, Stebin Ben | F Minor | 5 | 4A | 103 BPM | ||
| Kaise Hua (From "Kabir Singh") | Vishal Mishra, Manoj Muntashir | D Major | 5 | 10B | 138 BPM | ||
| Heer | A.R. Rahman, Harshdeep Kaur, Gulzar | E Minor | 6 | 9A | 78 BPM | ||
| Akhiyaan Gulaab (From "Teri Baaton Mein Aisa Uljha Jiya") | Mitraz | A♭ Minor | 6 | 1A | 107 BPM | ||
| Khairiyat (Bonus Track) | Pritam, Arijit Singh | C Minor | 7 | 5A | 125 BPM |