"Building Explosion" by Christopher Lennertz had its release date on December 14, 2010. With This song being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Christopher Lennertz's "Mass Effect 2: Lair of the Shadow Broker (Original Video Game Score)" album is number 2 out of 7. On top of that, Canada appears to be the country where this track was created. In terms of popularity, Building Explosion is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Building Explosion by Christopher Lennertz to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| War Approaches (Outro) | Adam Skorupa, Krzysztof Wierzynkiewicz | C Major | 5 | 8B | 105 BPM | ||
| After the Crash | Michael McCann | A Major | 7 | 11B | 120 BPM | ||
| Eyes Wide Open | Olivier Deriviere | F Major | 2 | 7B | 77 BPM | ||
| Jacob | Jack Wall | D Minor | 4 | 7A | 140 BPM | ||
| A Cavern of Death (From Baldur's Gate: Dark Alliance 2) | Craig Stuart Garfinkle | D♭ Major | 3 | 3B | 91 BPM | ||
| The Necropolis | Bill Brown | C Major | 5 | 8B | 95 BPM | ||
| Wake Up | Sam Hulick | G Minor | 1 | 6A | 80 BPM | ||
| Combat & Extras: Combat - Low Intensity - Engagement - Section 1 | Erasmus Talbot | B Minor | 7 | 10A | 145 BPM | ||
| Negotiating With Miranda | Jack Wall | C Major | 3 | 8B | 120 BPM | ||
| Demeter | Stephen Barton | D♭ Major | 6 | 3B | 100 BPM | ||
| Oath of Malacath | Brad Derrick | D Minor | 6 | 7A | 87 BPM | ||
| The Mother Serpent | Kevin Riepl | D Minor | 1 | 7A | 139 BPM | ||
| The Bad News (feat. Julie Elven) - Part 1 - Motherland | Joris de Man, Julie Elven | A♭ Major | 1 | 4B | 73 BPM | ||
| The Lush Planet (Ambient Late) | Griffin Cohen | D Major | 2 | 10B | 158 BPM | ||
| The City of Ruin | Masami Ueda | D♭ Major | 3 | 3B | 110 BPM | ||
| Campus | Petri Alanko | G Minor | 3 | 6A | 110 BPM | ||
| The Crypt | Kevin Riepl | C Minor | 2 | 5A | 136 BPM | ||
| Badass Crater of Badassitude Ambience | Kevin Riepl | A Major | 2 | 11B | 120 BPM | ||
| Combat & Extras: Combat - Low Intensity - Threat - Section 3 | Erasmus Talbot | A♭ Minor | 3 | 1A | 145 BPM | ||
| G.C.P.D. | Christopher Drake | F♯ Minor | 6 | 11A | 88 BPM | ||
| Steel Embers | Daniel James | D♭ Major | 7 | 3B | 100 BPM | ||
| The Fortress | Greg Edmonson | B♭ Major | 2 | 6B | 120 BPM | ||
| Tarsis Nights | Sarah Schachner | F Major | 3 | 7B | 58 BPM | ||
| Black Market | Ola Strandh, Simon Koudriavtsev | B Major | 10 | 1B | 173 BPM | ||
| Exploration: Neutral - The Galactic Rose | Erasmus Talbot | B♭ Minor | 4 | 3A | 122 BPM |