"Radical Notion" by Hans Zimmer had its release date on July 9, 2010. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Hans Zimmer's "Inception (Music from the Motion Picture)" album is number 4 out of 12. On top of that, United States appears to be the country where this track was created. The popularity of Radical Notion is currently average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Radical Notion by Hans Zimmer to be Vivace (lively and fast) because the track has a tempo of 168 BPM, a half-time of 84BPM, and a double-time of 336 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tadarida | James Newton Howard, Hans Zimmer | D Major | 2 | 10B | 129 BPM | ||
| Brandon | Harry Escott | G Minor | 1 | 6A | 120 BPM | ||
| How It Ended / Reluctant Hero | Blake Neely | G Minor | 5 | 6A | 107 BPM | ||
| Severus and Lily | Alexandre Desplat | A Minor | 1 | 8A | 68 BPM | ||
| Look to the Stars | Hans Zimmer | C Major | 1 | 8B | 75 BPM | ||
| The Money Train | Nick Cave & Warren Ellis | D Minor | 2 | 7A | 60 BPM | ||
| The Exchange | Lorne Balfe | D Major | 6 | 10B | 110 BPM | ||
| That Hurts | John Murphy | D Minor | 0 | 7A | 128 BPM | ||
| Meeting Kitty | Ludwig Göransson | D♭ Major | 2 | 3B | 121 BPM | ||
| Planet 4/Main Theme | Jed Kurzel | B♭ Minor | 2 | 3A | 56 BPM | ||
| Game Over | Steve Jablonsky | B♭ Major | 0 | 6B | 74 BPM | ||
| My Dear Frodo | Howard Shore | A Minor | 4 | 8A | 86 BPM | ||
| Cloud Atlas Opening Title | Tom Tykwer, Johnny Klimek, Reinhold Heil | D Minor | 3 | 7A | 140 BPM | ||
| Vice - Main Title Orchestra Suite | Nicholas Britell | D♭ Major | 6 | 3B | 105 BPM | ||
| The King of the Golden Hall | Howard Shore | E Minor | 1 | 9A | 139 BPM | ||
| Myotis | James Newton Howard, Hans Zimmer | G Minor | 1 | 6A | 79 BPM | ||
| Losing Control | M83, Anthony Gonzalez, Joseph Trapanese | D Major | 1 | 10B | 92 BPM | ||
| Essex Leaving Harbor | Roque Baños | A♭ Major | 6 | 4B | 118 BPM | ||
| Borgov III | Carlos Rafael Rivera | D Major | 8 | 10B | 133 BPM | ||
| Colorado Springs | The Prestige | A Minor | 1 | 8A | 91 BPM | ||
| Escape from the Train | Hildur Guðnadóttir | C Major | 4 | 8B | 130 BPM | ||
| Downton Abbey - The Suite - From “Downton Abbey” Soundtrack | The Chamber Orchestra Of London | A Minor | 3 | 8A | 82 BPM | ||
| Tiger Vision | Mychael Danna | A♭ Major | 0 | 4B | 50 BPM | ||
| To the Stars | Max Richter | E Minor | 1 | 9A | 131 BPM | ||
| Night on Arrakis | Hans Zimmer | C Major | 0 | 8B | 125 BPM |