"Prokofiev: String Quartet No. 2, Op. 92: I. Allegro sostenuto" by Sergei Prokofiev, Quartetto Italiano had its release date on January 1, 1956. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 5 in the song's album "Prokofiev: String Quartet No. 2, Op. 92 - Malipiero: String Quartet No. 4". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Prokofiev: String Quartet No. 2, Op. 92: I. Allegro sostenuto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Prokofiev: String Quartet No. 2, Op. 92: I. Allegro sostenuto by Sergei Prokofiev, Quartetto Italiano having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| String Quartet No. 1 In D Major, Op. 11, TH.111: 1. Moderato e semplice | Pyotr Ilyich Tchaikovsky, Emerson String Quartet | F Minor | 1 | 4A | 78 BPM | ||
| Violin Sonata No. 2 in G Major, Op. 13: III. Allegro animato | Edvard Grieg, Frederic Chiu, Pierre Amoyal | D♭ Major | 3 | 3B | 110 BPM | ||
| Piano Concerto in F-Sharp Minor, Op. 20: IId. Var. 3. Adagio | Alexander Scriabin, Julius Asal, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Variations on a Rococo Theme, Op. 33: Thema - Moderato semplice | Pyotr Ilyich Tchaikovsky, Pablo Ferrandez, Martin Fröst, Swedish Chamber Orchestra | D Minor | 1 | 7A | 109 BPM | ||
| Jūra, MKČ 102: IV. Development, Storm | Mikalojus Konstantinas Čiurlionis, Lithuanian National Symphony Orchestra, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Piano Trio No. 1 in D Minor, Op. 49: III. Scherzo: Leggiero e vivace | Felix Mendelssohn, Joshua Bell, Steven Isserlis, Jeremy Denk | D Major | 2 | 10B | 156 BPM | ||
| Piano Concerto for the Left Hand No. 2: III. Finale | Josef Labor, Oliver Triendl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Eugene Tzigane | E♭ Major | 1 | 5B | 109 BPM | ||
| String Quartet No. 4, Op. 25, "Suite": III. Adagietto (Adagio) | Alexander von Zemlinsky, Escher String Quartet | F♯ Major | 0 | 2B | 66 BPM | ||
| Piano Trio in G Minor, Op. 17: II. Scherzo. Tempo di Menuetto | Clara Schumann, Nash Ensemble | D Major | 0 | 10B | 66 BPM | ||
| Grandes études de Paganini, S. 141: La campanella - Excerpt | Franz Liszt, Marc-André Hamelin | A♭ Major | 1 | 4B | 101 BPM | ||
| Piano Trio No. 3 in A Minor, Op. 26: I. Allegro appassionato | Édouard Lalo, Trio Wanderer | F Minor | 1 | 4A | 105 BPM | ||
| Techno-Parade | Guillaume Connesson, Anna Miernik, Barbara Borowicz, Martyna Klupś-Radny | A♭ Minor | 2 | 1A | 138 BPM | ||
| Symphony No. 1, GMW 11: IIa. Kräftig bewegt, doch nicht zu schnel | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | B Minor | 1 | 10A | 68 BPM | ||
| String Quintet No. 2 in G Major, Op. 111: III. Un poco allegretto | Johannes Brahms, Gérard Caussé, Hagen Quartett | G Major | 1 | 9B | 97 BPM | ||
| Sonata for Piano and Violin No. 3 in G Minor, Op. Posth. 137, D. 408: II. Andante | Franz Schubert, David Grimal, Valery Afanassiev | E♭ Major | 0 | 5B | 89 BPM | ||
| Caplet: Quintet for Piano & Winds, Op. 8: II. Adagio | André Caplet, Les Vents Français | F♯ Minor | 1 | 11A | 131 BPM | ||
| Prokofiev: Cello Sonata in C Major, Op. 119: I. Andante grave - Moderato animato | Sergei Prokofiev, Mstislav Rostropovich, Sviatoslav Richter | C Major | 2 | 8B | 70 BPM | ||
| Piano Quintet in B Minor, Op. 74: II. Larghetto | Ferdinand Ries, Klavierquintett Wien | C Minor | 4 | 5A | 136 BPM | ||
| Bartók: Romanian Folk Dances, Sz. 56: No. 4, Horn Dance (Transcr. Strauss & Rizikov for Cello and Piano) | Béla Bartók, Lisa Strauss, Anastasia Rizikov | F Major | 0 | 7B | 97 BPM | ||
| Piano Quintet in F minor, Op. 34: IV. Finale (poco sostenuto - Allegro non troppo) | Johannes Brahms, Maurizio Pollini, Quartetto Italiano | F Minor | 1 | 4A | 105 BPM | ||
| Bene Feast | Estoria | F Minor | 1 | 4A | 105 BPM | ||
| Trumpet Sonata: II. Adagio molto cantabile | Karl Pilss, Carole Dawn Reinhart, Jean-Claude Vanden Eynden | F Minor | 1 | 4A | 105 BPM | ||
| Bartók: Romanian Folk Dances, Sz. 56: No. 3, In One Spot (Transcr. Strauss & Rizikov for Cello and Piano) | Béla Bartók, Lisa Strauss, Anastasia Rizikov | F Major | 0 | 7B | 97 BPM | ||
| Enescu: String Octet in C Major, Op. 7: I. Très modéré | George Enescu, Quatuor Ébène, Belcea Quartet | F Minor | 1 | 4A | 105 BPM | ||
| Enescu: String Octet in C Major, Op. 7: IV. Mouvement de valse bien rythmée | George Enescu, Quatuor Ébène, Belcea Quartet | F Minor | 1 | 4A | 105 BPM |